04.11.2019
This page contains a list of songs that people like most at holidays, events, celebrations - anniversaries, weddings, wedding anniversaries, corporate parties, birthdays. Precisely, basically on this principle, I teach them. If you are often asked to perform a song, but I don’t know it, I’ll teach it right away.
Popular, VIA, funny, dance, romances, gypsy and others.
Not specified, which I perform into a microphone using electronic text (not by heart). There are ten times more of them than in the list below.
You can listen to the songs in my performance by going to the pages Yuri Kuznetsov sings.
I have a very good memory by nature. I will be happy to learn and sing at your holiday any song that you or your guests like.
ROMANCE
Fireplace sparks
Your eyes are green
Under the caress of a plush blanket
Don't go, stay with me
Burn, burn, my star
Pair of bay
Fragrant bunches of white acacia
There are meetings only once in life
Enchanted, bewitched
Moscow golden-headed
Furry bumblebee
Black eyes
Two guitars behind the wall
At dawn, don't wake her up
Chrysanthemums have faded long ago in the garden
I thought you were happy
I will never forget you
Misty morning
Move away, don't look
The Long Road
I met you
Coachman, drive to Yar
At last I will tell you
Gray hair (And you and I have not aged at all ...)
Bells (Bells are heard ringing from afar ...)
There was a carriage outside the church
The reeds rustled, the trees bent
Don't go away, my dear
My bonfire shines in the fog (Old gypsy romance)
Vain words (Malinin)
Good night gentlemen (Leps)
Romance of the General of Blackness (Again alone in bed half asleep) Alexander Rosenbaum
Capricious, stubborn (Old Russian romance)
Do not persist (And for what and for what I fell in love with you)
Fireplace sparks
Happy
List of songs for anniversary, birthday.
I spend a variety of anniversaries 60, 50, 65, 70, 55, 80, 45, 30 years and others. For men and women. In order to make it easier for me to understand what to sing at your celebration, please send me by mail a list of those musical compositions that you and your loved ones like the most. And they will certainly sound at your holiday in my performance.
At the celebration, I ask the guests "what do you want to listen to?", "What will we sing together?" But any impromptu is good when it is prepared in advance.
You can record any song or even a whole disc for the hero of the day at the studio. At the beginning of this album, say what you wish for the hero of the occasion and think about him. Such a gift will be very valuable and unforgettable.
Jubilee ditties. Dedicated to his beloved woman. List of songs dedicated to the anniversary, birthday: Happy birthday (Everything today is just for you.) Irina Allegrova. Dedicated to a woman. For you, my woman. (I raise my glass. Today is your birthday.) Mikhail Sheleg. RUSSIAN FOLK SONGS On the wild steppes of Transbaikalia From behind the island to the rod My dear Oh, frost, frost A young Cossack walks along the Don Oh yes you pour I'll go outside Went to the fair uhar-merchant Lady, Tsyganochka, Yeletskaya (ditties) Once I swam by the sea Am I to blame In the moonlight (Ding-ding-ding ...) Peddlers The bell rings monotonously Oh, with a meadow, with a meadow How a soldier served As if the Volga is a mother When I served as a coachman at the post office My joy lives Steppe and steppe all around It was a long time ago, seventeen years ago Who needs it (In the middle of the grandma, in the middle of Lyubka, in the middle you are mine, gray dove) Charming eyes We walk through the village (we give out gifts. To whom the son, to whom the daughter) Nadezhda Kadysheva. "Gold ring". In the moonlight Ukhar merchant SONGS ON POEMS BY SERGEY ESENIN Above the window a month I do not regret, do not call, do not cry Dissuaded the golden grove Maple you are my fallen Letter to mother (You are still alive, my old lady ...) I have one fun left Weaved on the lake I'm a Moscow naughty reveler I have never been to the Bosphorus Moscow (Mongol Shuudan) Mother's letter SONGS ABOUT THE MOTHERLAND I will pray for holy Russia (Hierodeacon Theophilus) I will go out into the field at night with a horse. Russian Field (Jan Frenkel) From the movie "New Adventures of the Elusive." I drank birch sap in the spring forest. (Mikhail Nozhkin) .From the film "Resident's Error" Call me softly by name (Lube). A song about a distant homeland (I ask for a little while). From the film Seventeen Moments of Spring. Where does the Motherland begin. (Mark Bernes) Matusovsky's words. Birch sap (Only under the snowfield to bloom on time). Songs. I love you Russia! My dear Rus! (Mikhail Nozhkin. David Tukhmanov.) March - "Farewell of a Slav" Written in 1912. Song of the Motherland. (The sun is shining in the clear sky.) Why are birches making noise in Russia? (Nikolay Rastorguev and Sergey Bezrukov.) From the series "Plot" I will go out into the field with my horse at night. Migratory birds are flying (I don’t need the Turkish coast and I don’t need Africa.) Oh, you are a wide steppe. Chistye Prudy (Igor Talkov). Our toast. (Let's drink to the Motherland, drink to Stalin, drink and pour again.) Song of the war years. Crane. (Though the earth is warmer there, but the homeland is dearer.) Mark Bernes. Russian anthem. SONGS ABOUT MOSCOW Moscow golden-headed Moscow windows Moscow Nights My dear capital, my golden Moscow Alexandra (film "Moscow Does Not Believe in Tears") Moscow. The bells are ringing I walk around Moscow SONGS ABOUT PARENTS Parental home. (Lev Leshchenko) "The parental home began to begin." Let us pray for our parents. (Soso Pavliashvili). Letter to mother (You are still alive, my old lady). But the words of Sergei Yesenin. Talk to me mom. Sweet mom. (Mom, dear mom, how I love you). My dear old people. Igor Sarukhanov. House with windows to the garden. Brothers Radchenko. SONGS ABOUT FRIENDSHIP Song about a friend. (When you fell off the rocks, he groaned, but held on.) Vladimir Vysotsky. Friendship. (That our tenderness and our friendship are stronger than passion, more than love.) Song of friends. (There is nothing better in the world than wandering friends around the world.) The Bremen Town Musicians. Song about a friend. (A friend is always ready to give up a place in the boat and a circle.) If you went out with a friend. (What is snow for me, what is heat for me when my friends are with me.) For friends. (I raise my glass) Vladimir Chernyakov. LOVE SONGS Enchanted, bewitched You are my only one (Yu Vizbor) For me, you are not more beautiful What a woman These eyes are opposite. Obodzinsky. To please. (I want to please you today). Anatoly Dneprov. Dawn scarlet. (Lips are scarlet. You are my long-awaited love). Brothers Radchenko. Eastern song. (Is it raining warm). Valery Obodzinsky. Singarella. (The anvil groans loudly, since the girl is in my hands). Lyric (Here the paws of the fir trees ...) V. Vysotsky White swan on the pond For lovely ladies I thought you were happy I raise my glass Baby, can you hear me My clear star ("Flowers") Outside the window bullfinches (Trofim) My wealth (Yu. Antonov) Esmeralda ("Notre Dame de Paris") Bouquet (A. Barykin) Mole (I met a girl, a crescent eyebrow ...) Darling, sleep I wish you from a thousand stars (I. Sarukhanov) Mirror (Yu. Antonov) Because you can't be beautiful like that ("White Eagle") My only one (F. Kirkorov) I love you to tears. (I'll make our bed with white rose petals). Alexander Serov. I miss you (Trofim) Natalie Sweetheart (Nepara) For love (Lyubavin) My love Gone are the sunny days You tell me cherry Good morning beloved (Mityaev) You and I are two banks by the same river (Rada Rai) Doves kiss on the roof WEDDING, WEDDING ANNIVERSARIES Wedding. (Give love to each other.) White Eagle. Wedding ring We wish you happiness Listen mother-in-law, dear friend, help ... Be healthy, live richly Why do brides cry I want to marry you The first love Wedding (V. Korolev) Invite your father to the white dance (I. Demarin) Daughter (Kobzon) I want to marry you WAR SONGS Officers (O. Gazmanov) From the heroes of the bygone days (film "Officers") Dark night Eh, roads Rota goes to heaven In the dugout Let's wave without looking (film "Shield and Sword") Where does the Motherland begin The last fight, it is the most difficult (film "Liberation") Dark girl Three tankmen The armor is strong and our tanks are fast Tanks rumbled across the field Gunners, Stalin gave the order Come on for ... ("Lube") There in the distance beyond the river How a soldier served Do not think down on seconds (film "17 Moments of Spring") I ask for a little while (film "17 Moments of Spring") Combat ("Lube") Victory Day Song of the 10th Airborne Battalion (film "Belorussky Station") Farewell to the Slav Cranes (It sometimes seems to me that the soldiers ...) Sineva (Paratroopers' Song) Alyosha (Does the powder turn white in the field ...) I'll get up before dawn today The girl accompanied the fighter to the position The division marched forward along the valleys and hills No need to be sad, gentlemen officers Cuckoo (Blue Berets) Gentlemen officers blue princes A couple lived in the same city Battalion Intelligence (Blue Berets) Farewell to the Slav SONGS FOR FLYERS It's time to hit the road. (On a rainy evening) From the movie Heavenly Slow-Walker. SEA SONGS. FOR SEAFERS. There behind the fogs. (Blue sea, only sea astern.) AFGHAN SONGS In a black tulip (A. Rosenbaum) Orders are not for sale COSSACK SONGS Love, brothers, love Are you waiting, Lizaveta Black Raven Oh, it’s not evening, it’s not evening A young Cossack walks along the Don Only a Cossack bullet (A. Rosenbaum) And on the window platbands (A. Rosenbaum) Horses roamed on the Don, on the Don (A. Rosenbaum) Old Man Ataman (Chizh) Courageous centurion Oh, with a meadow, with a meadow Unharness, lads, horses Oh you Galya, Galya young Not for me Love, brothers, love UKRAINIAN SONGS You pidmanula me The power of the bird Noyako michyachna Ridny my mother Chervona Ruta Nese Galya water Black eyebrows, brown eyes There by the spring, by the garden Black eyebrows, brown eyes By the cherry orchard SONGS Belarus. (My youth is Belarus). I dreamed about you in the spring Bialowieza Forest You make noise, make noise over me byarozi SYABRY And I will lie down. JEWISH SONGS Hava Nagila Tum balalaika Jewish tailor. (Quiet as in paradise) GEORGIAN SONGS ARMENIAN SONGS Sirun, Sirun GYPSY SONGS Furry bumblebee Black eyes Two guitars behind the wall Guess me, gypsy Nane tsoha (from the movie "Tabor goes to the sky) Prihayape Kayo berge Shatritsa (Ay, yes, yes, yes, yes) Turquoise gold rings I love the gypsy Jan Song of Yashka the Gypsy (film "The Elusive Avengers") Not evening Baby, can you hear me Oh, the young boy went on a spree Coachman, drive to Yar Mamma Sokolovsky choir near Yar Oh yes Velichnaya (He came to us, came to us) Gray hair (And not much you and I have not grown old ...) Singarella My bonfire shines in the fog I will tell you how I lived with gypsies Marjanja Gypsy love Blue poppies Da-Luda-La I will bring you flowers Zakhachkirna Nane tsoha Marjanja (gypsy) SONGS ABOUT ODESSA The scows are full of mullets. (Kostya brought him to Odessa.) SPANISH SONGS Besame mucho Ma guitar (film "Desperate") Banderas ITALIAN SONGS About salt myo SONGS FROM THE REPERTOIRE M. Shufutinsky Left bank of the Don Khreshchatyk Knives not sharpened Jewish tailor Zoya wrote me a letter Two extinguished candles Singarella My Soul Hurts Tanya youngster A bottle of wine There lived one violinist (Cry, my violin, cry ...) Candles (Burning, candles cry ...) Muscovite I will tell you how I lived with gypsies Marinochka, Marina For lovely ladies Marjanja And for the last, but for the five Palma de Mallorca Yu. Antonov Mirror (I look at you like in a mirror) Ah, the white ship My wealth (Again a month ascended the throne) For me, you are not more beautiful Dreams come true Flying gait 20 years later Anastasia The roof of your house (We are all in a hurry for miracles) Near birches and pines. (Autumn wanders quietly. Is it really all gone). Alexander Rosenbaum Evening drinking (Let's raise this bowl) Song of a Jewish tailor. (Quiet as in paradise.) Oleg Mityaev Summer is a small life. (Look at what a beautiful house you live in.) Vladimir Vysotsky Vertex. (This is not a plain for you.) When we met with you. (The bird cherry blossomed.) Lyrical Yuri Vizbor You are my only one. (There is no other one.) Bulat Okudzhava Georgian song (I will bury a grape seed in the warm earth.) Sergey Trofimov (Trofim) Bullfinches. (Outside the window, bullfinches.) Stas Mikhailov Muslim Magomaev Alexander Malinin Lieutenant Golitsyn. (Don't be discouraged.) Yu Loza Igor Talkov Clean ponds. (Each of us has places in the world.) Viacheslav Dobrynin Do not put salt on my wound. (Don't say sobbingly.) Vakhtang Kikabidze My years are my wealth. (Let my head be gray.) Grigory Leps Natalie. (I can't get away from you and fate.) Alla Pugacheva Million Scarlet roses. (Those who are in love with seriousness will turn your life into flowers.) FORESTRY I'll buy you a house (White swan on the pond.) Ivan Kuchin In the tavern (Let's drink to our friends for our faithful.) M. Gulko Enemies burned their home Schoolgirl I haven't seen my mom for so long Blue skies of russia One Victory (Song of the 10th Airborne Battalion) Odessa Mishka Why are you married If i get sick Behind the fog Gentlemen officers SONGS FROM VIA'S REPERTOIRE "Gems", "Funny Guys", "Blue Guitars" For me, you are not more beautiful This never happens again I'll take you to the tundra I will not approach you Clear bright eyes When we are silent together Aleshkina love Time Machine. (Andrey Makarevich.) Turn. (We gave ourselves our word.) "DDT" "Flowers" My clear star We wish you happiness "Blue bird" Where the maple makes noise "LYUBE" There, beyond the mists Call me softly by name Why do birches make noise in Russia? I will go out into the field at night with a horse All over again On the tall grass Sunday. (Konstantin Nikolsky.) Musician. (The violinist. He hung up his frock coat. The musician over the back of the chair.) Mikhail Krug BEST SONGS OF ALL TIMES Moscow Nights Russian field How many good girls Friendship (When with a simple and gentle gaze ...) By the very blue sea There is only a moment Hope (An unfamiliar star is shining ...) That the heart is so troubled And the years fly by I love you life There is nothing better in the world Song of the old cab (L. Utyosov) Black cat Wonderful neighbor We wish you happiness Under the wing of an airplane Purple Haze Here under a strange sky Crimson ringing There in the distance beyond the river Queen of beauty Candles (On an autumn night outside the window ...) White snow Lonely accordion Ryabinushka (Evening with a quiet song ...) Someone came down from the hill Bloomed under the window ... There are so many golden lights on the streets of Saratov ... Daisies hid My village From far away the Volga river flows for a long time Suddenly, like in a fairy tale, the door creaked For you, my woman I met a girl with a crescent eyebrow Lanfren-lanfra Bouquet (A. Barykin) green-eyed taxi Sailor (And when the sea is rolling ...) The dark mounds are sleeping I raise my glass I'll take you to the Tundra From Vagante (On the French side ...) Dawn scarlet You can't hide from people in the village Trouble has green eyes Parental home People meet, people fall in love How delightful evening in Russia Sharmanka (N. Baskov) The city that does not exist (I. Kornelyuk) Moscow, the bells are ringing Mirror (Yu. Antonov) Call me softly by name ("LYUBE") Coward does not play hockey Song about Shchors Talk to me mom Tenderness The river runs in the fog and melts Have you heard the blackbirds sing If you go out with a friend All will pass By the forest at the edge Blue frost You will wake me up at dawn Thank you for your son, thank you for your daughter Ural mountain ash God save the king Once a year, the gardens bloom Teddy bear, teddy bear, where is your smile Village (I consider myself urban now ...) (S. Belikov) It just so happens if you fall in love ... Dress (Nothing to wear, whatever you say ...) Galina lives in this house Swan loyalty Bells Indian summer The bird cherry sways under the window Lost the bears Former podsaul (Talkov) New Year's (Serduchka) There is no better color Good mood Dawn Till Dawn (Dan Spataru) Tell me cherry (Kirkorov) Good mood Siberian frosts (Kuzmin) Wanderer (V. Presnyakov) The bird cherry blossomed Buttercups flowers Blue poppies I remember the stars are blue Wandering artists Gold fish The bears got lost. Yard songs with a guitar. Nichyako michyachna "Only old men go to battle" Tanks rumbled across the field "In war as in war" From the heroes of the bygone days "Officers" Cavalier guards, a century is not long "The star of captivating happiness" Your Honor "White Sun of the Desert" Cursed thoughts "Five evenings" Horses are walking over the river "Bumbarash" Scows full of mullet "Two fighters" Dark night "Two fighters" Friendship "Summer evening in Gagra" Three tankmen "Tractor drivers" Migratory birds are flying "Cold summer of 53" Song about a friend "Vertical" Here you are not flat "Vertical" The dark mounds are sleeping "Big Life" Time to go, on the road "Heavenly slug" From people in the village ... "It was in Penkovo" Do not think down on seconds of "17 Moments of Spring" I ask for a short while "17 Moments of Spring" Trouble has green eyes "Dangerous friends" Lanfren-lanfra "Midshipmen, forward" The city that does not exist "Gangster Petersburg" Shaggy bumblebee "Cruel Romance" And finally, I'll say ... "Cruel Romance" Not evening "Dowry" Honey, you hear me "Dowry" Wait, the "Operation Y" steam locomotive Oh, at the meadow, at the "Wedding in Malinovka" meadow Are you waiting, Lizaveta ... "Alexander Parkhomenko" Love, brothers, love "Alexander Parkhomenko" I'm in the spring forest ... "Resident error" From dawn to dawn "Song of the Sea" About hares "The Diamond Arm" Birch juice "Real guy" Our service is both dangerous and difficult "Experts lead the investigation" Again the month ascended to the throne "Take care of women" Ma guitar (Banderas) "Desperate" March of the gunners "6 pm after the war" Suddenly, like in a fairy tale ... "Ivan Vasilyevich changes his profession" The Island of Bad Luck "Diamond Arm" Kurochkin's couplets "Wedding with a dowry" Song about a friend (If there is one joy for everyone) "The way to the pier" Why didn't you meet me "Different destinies" RUSSIAN CHANSON Murka (You are my moray eel.) Anniversary of a woman - songs about female beauty, about love, songs for women. Anniversary of the man. Songs for men, about friendship, favorite works. Anniversary of the company, corporate holiday, anniversary of the company - songs about the profession, professional songs. City holiday - the day of the city, songs about Moscow, cities. Special repertoire for Victory Day, May 9, Defender of the Fatherland Day February 23, International holiday March 8, Valentine's Day, Shrovetide, Christian holidays, Russian Independence Day, Christmas. Retro parties. Hits of the 60s, 70s, 80s, 90s Popular songs of Soviet performers and VIA, Disco 80s. Evenings over 30, over 40 - dance hits. Concert performances in restaurants, clubs, boarding houses, rest houses. You can continue listening to the songs on the pages of Yuri Kuznetsov sings.
I sing and the great singer Zarina.
This woman.
Happy birthday. (My friend, all your friends congratulate you.) Nadezhda Kadysheva.
Wish. (I want the songs to sound, so that the glass is filled with wine.) Vakhtang Kikabidze.
My years are my wealth. Vakhtang Kikabidze.
Wish. (So that they live up to a hundred years, so that they do not know grief.) Elena Vaenga.
Song of the crocodile Gena. (Let run clumsily.)
And the years fly by (Our years fly like birds.)
There is only a moment. (It is he who is called life.) Oleg Anofriev.
Evening drinking. (For the strength that the waves carry in full.) Alexander Rosenbaum.
Duck hunting. (My father and mother taught me.) Alexander Rosenbaum.
Shores. (Between them is the river of my life.) Alexander Malinin.
Today I'm 50. (And this is not evening.)
How young we were. (How sincerely they loved, how they believed in themselves.) Alexander Gradsky.
How amazing. (That we all gathered here today.) Oleg Mityaev.
A lonely peasant over 50. (Life goes on quietly, but gnaws lightly, but does not bite.) Dmitry Vasilevsky.
Birthday girl. (We are going to celebrate your birthday.) White day.
Ay. (I would like to give you a song. Everything in comparison with you is insignificant.) Alexander Rosenbaum.
I can’t have you on your birthday. (Give expensive gifts.)
Enchanted by the bewitched. (You are my precious woman.) Mikhail Zvezdinsky.
You are my only one. (There is no other one like that.) Yuri Vizbor.
The Volga river flows. (Among the ripe loaves, among the white snows.) Lyudmila Zykina.
I wish you. (Out of 1000 stars, one is the brightest.) Igor Surukhanov.
My darling
A stream flows. (A stream runs.)
I'm drunk.
Plucked a rose. (I met a rose it was blooming.)
There was a carriage at the church.
Collective farmer. (There is a collective farm on the mountain, a state farm under the mountain.)
There are so many golden lights. (On the streets of Saratov.)
The bird cherry sways under the window. (Showering his petals.)
Someone has come down from the hill. (Probably my dear is coming.)
Old maple. (Knocks on the glass.)
As my mother wanted me. (Yes, pay for the first.)
The river is wide. (Cursed love.)
Charming eyes. (You have enchanted me.)
The month was colored crimson. (Let's go beauty ride.)
The mail troika is racing. (Along the Volga to mother in winter.)
Evening call, evening Bell. (He leads so much thought.)
Thin rowan. (What are you standing rocking.)
There is no better color. (When the apple tree blooms.)
Khasbulat is daring. (Poor saklya is yours.)
It's not the wind that tends the branch. (Dubravushka is not making noise.)
Felt boots. (The old ones are not hemmed)
Fire. (The girl accompanied the fighter to the position.)
Along the Murom path. (There were three pines.)
Lilies of the valley. (You brought me today.)
Oh snow snowball. (White blizzard.)
On a clean field. (Why are you hot, why are you handsome.)
It's raining outside. (Waters from a bucket.)
Katyusha. (Apple and pear trees were blooming.)
Ah Samara is a small town. (Restless me.)
Corner of Russia, paternal home. (Pesnyary) Music In Shainsky.
Moscow (I love this city of elm). Sergey Yesenin.
The best city on Earth (These words about you are Moscow). Muslim Magomayev.
The song of the old cabman (Only a spring morning will burst over Moscow). Leonid Utyosov.
Ah Arbat my Arbat (Bulat Okudzhava)
My love is alive like the scarlet color of mountain ash. Sergey Drozdov.
Without you (S. Mikhailov)
Everything for you (S. Mikhailov)
Queen of inspiration (S. Mikhailov)
Three wishes
Near the bridge
Lastly, I will say
I would only know that somewhere you live (O. Mityaev)
Guitar
I want to marry you
Bells
You dreamed in the spring ("Pesnyary")
Draw yak michyachna
I asked ash
Wait, I'll turn on the light for a minute
Young
Furry bumblebee
The first love
This woman
Oriole
City of Sochi (Trofim)
For you, my woman
Ay (Rosenbaum)
Doves kiss on the roof
Don't go stay with me
I met you
Ivushki
Get high
Smoke from menthol cigarettes
My joy lives
White birch
Let's go for a beautiful ride
There by the cherry orchard
Black eyes
Black eyebrows, brown eyes
Turquoise, gold rings
Ukhar merchant
Weaved on the lake the scarlet light of dawn
My dear forest sun
Kalina (Rada Rai)
Marjanja (M. Shufutinsky)
Two extinguished candles
Candles
When I met you the bird cherry blossomed
That evening I did not drink, did not sing (Vysotsky)
Trouble (Pugacheva)
Two roses
Wasted words
Do not put salt on my wound
I'll take you to the tundra
Where the maple makes noise
White motor ship
On that highway
Purple Haze
Lanfren lanfra
Your eyes are green
Under the caress of a plush blanket
Sailor
Once I swam by the sea
Let's drink to love
Thank you for your son and daughter
Tenderness
You will wake me up at dawn
Poplar
Fireplace sparks
Once a year, the gardens bloom
The dress
Swan loyalty
Indian summer is noisy
Knives not sharpened
Sorcerer
Get high
I'm ready to kiss the sand
Gate
Only time
Misty morning
Move away don't look
My dear
I'm drunk
Go outside
Am I to blame
Peddlers
The boat was sailing on the sea
Black eyes
Who made you like this
The snow is spinning
Free duck
Cornflowers in the field
Seagulls astern
Bonfires are burning distant
White mists are floating
A couple lived in the same city
I have to live with you all my life at least once (Vizbor)
Thanks for the day, thanks for the night (M. Boyarsky)
Lonely branch of lilac
Beloved woman
My beloved woman (Timur Temirov)
Sweet dream - on the white blanket of January. (Here it is, the long-awaited summer to spite fate).
You are my tenderness. Nargiz Zakirova. (You are my heart, you are my miracle).
Wedding. (This wedding sang and danced). Magomayev.
I love you to tears. Alexander Serov.
Silver weddings. (And 25 silver aprils surround you like sons). Valentina Tolkunova.
Golden wedding. (Grandma is next to grandfather).
Officer wives
He did not return from the fight. V. Vysotsky.
Hobble slowly. (On an early sunny morning she saw off). Adrenalin.
A couple lived in the same city. (Oh, you women are unfaithful to their husbands, the husband is at the front, and you are here for a walk). Songs of the war years.
Because we are pilots. (We are friends of migratory birds. Well, the girls later.)
The main thing, guys, is not to grow old at heart. (Under the wing of the plane.) Soviet song.
The plane is my pectoral cross. (The sky is blue.) And Dolsky.
Phantom. (My phantom is gaining altitude with a roar with a white arrow on its spread wing.)
Goodbye beloved city. (We leave tomorrow at sea.)
Goodbye rocky mountains. (And the waves moan and cry.) War years.
Coveted stone. (Cold waves rise in an avalanche,) Sevastopol. Black Sea Fleet.
Tired submarine. (The boat is compressed by wild pressure.
The sea spreads wide. (And the waves are raging in the distance.)
Varangian. (Our proud Varangian does not surrender to the enemy.)
Sea. (The sea is a bottomless world.) Yu Antonov.
Blue eternity. (O sea sea, take me far away.) Muslim Magomayev.
By the sea. By the blue sea. (Vacation of love.)
Oysya, oysya, do not be afraid of me.
Vologda.
Father's house. (A corner of Russia is the father's house).
Our beloved ones. (Do not offend your loved ones with reproaches).
Birch juice. (As soon as the snowdrop blooms on time).
Blackbirds. (You've heard the blackbirds sing).
I cannot do otherwise.
Half an hour before spring.
Listen to mother-in-law.
Olesya. (Lives in the Belarusian woodland).
Buy cigarettes. (Approach the infantry and sailors)
Verses about Jews. (There are only Jews around)
Dai liu dai la (Gypsy ditties)
It smells like the sea. (And the moon hangs over the spar itself.) Mikhail Shufutinsky.
Ah, Odessa. (Pearl by the sea.)
By the black sea. (There is a city that I see in a dream.) Leonid Utyosov.
From what (I was just recently loved and sweet)
Duck Hunt (Walk like this, shoot like that shoot.)
Capercaillie (On the current)
Come to our light.
Prophetic fate (Field, field.)
Esaul is young. (I dozed off under the alder.)
Sleep in hand. (A gray horse with apples.)
Cossack (Under the evening dawn.)
Waltz Boston.
Violinist Monya. (Hello guests.)
Cab. (It's such a good day.)
On the Don on the Don. (The horses walked.)
Black Tulip. (In Afghanistan, in a black tulip.)
Ay. (I would like to give you a song).
GOP stop. (We came around the corner.)
Ninka. (Like a picture.)
Bunny. (Zoya wrote me a letter.)
Classmates. (My classmates, schoolchildren.)
In Odessa, on the Maidan. (The noise is a commotion.)
Pintail. (The duck is free.)
From bell to bell. (I served my term.)
My Odessa. (Smells like the sea.)
Conversation at the hotel. (Wait, I'll turn on the light in the room for a minute).
Good morning darling.
(You are my dear.)
Frenchwoman. (She is as much a Muscovite as she was.)
Neighbor. (The knives are not sharpened.)
Song about a friend. (If a friend turned up suddenly.)
Hunting for Wolves. (I struggle with all the sinews.)
Lyric. (Agree at least for paradise in a hut.)
The horses are finicky. (The horses are a little slower.)
Road history. (I came out tall and face.)
Bathhouse. (Fire me the hostess's bathhouse.)
Police protocol. (Think our way, we drank a little.)
He did not return from the fight. (Why is everything wrong?)
Dialogue at the TV. (Oh Wan look what clowns.)
The one who used to be with her. (I didn't drink or sing that evening.)
The song is a fairy tale among evil spirits. (In the reserved and dense Russian Murom forests.)
Indian summer. (Maples painted the city.)
At the cemetery. (And everything is calm in the cemetery.)
The house is crystal. (If I am as rich as the king of the sea.)
I was carrying my trouble. (Spring-like on ice.)
My love turned gray. (In Kolyma, where the tundra and taiga are all around.)
Oh where was I yesterday. (I just remember that the walls are with wallpaper.)
Royal shooter - about a wild boar. (In a kingdom where everything is quiet and smooth.)
My gypsy. In my dream, yellow lights. (Eh, one more time.)
Paradise apples. (I will die someday.)
The bride will cry for me honestly. (Others will sing all the songs for me.)
Group soldiers center. (Across the scorched plain.)
I do not like. (I do not like any time of the year when funny songs are not sung.)
I once stood on the watch. (I hold onto my pocket.)
My sweetheart. (Forest sun.)
Bending the guitar. (It's great that we are all gathered here today.)
Seryoga Sanin. (Either take off, then land.)
They keep telling me. (I have to live my whole life with you at least once.)
Dombai waltz. (The skis are at the stove.)
If I get sick. (Lay down the steppe for me.)
Alexandra. (Moscow was not built in a day.)
Your Honor, Lady Luck. (Nine grams in the heart.)
Song of the 10th Airborne Battalion. (We will not stand for the price.)
Cavalier guards. (The century is short.)
Take your greatcoat, let's go home. (And you and I are a brother from the infantry.)
Prayer. (Lord, give everyone what they don't have.)
Sochi city. (Shish kebab for brandy.)
I miss you. (Like an apostle through holy torments.)
Doves. (My barefoot childhood.)
Everything for you. (There is only you in my destiny.)
Without you. (Forgive me dear.)
Queen of inspiration. (All my poems are about you.)
White birch. (I love you.)
Heaven. (Give strength to the tramp.)
Heart in the snow. (Roads far boom.)
Wedding. (She sang and danced.)
The best city in the world. (These words about you Moscow.)
Queen of beauty. (You are happiness in life, my love.)
Nocturne. (Thank you.)
Shores. (Between them is the river of my life.)
Fun. (I have one fun left.)
Romance of General Black. (Alone in bed, half asleep again.)
Gulba. (There is gold on the icons.)
Waste words. (Splash witchcraft.)
In the Cape Town Port. (The crew was released ashore.)
Plea. (Where can I get the strength to stop loving.)
Former podsaul. (He left to fight.)
Summer rain. (Started early today.)
Who told you. (No, I can never stop loving you.)
Goodbye to all train stations. (They go to distant lands.)
You will see. (How unlucky I am)
Everything that I have in life. (The world is not simple.)
I don't dream of you. (I'm too.)
Wish. (I want the songs to sound.)
Bottoms Up. (If the toastmaster asks you.)
I wander drunk. (But the wine is not to blame.)
Seeing off love. (Half an hour before the flight.)
A glass of vodka on the table.
Good night gentlemen. (And there will be angels flying over your house.)
The best day. (It's great to live after all.)
This world was not invented by us.
Not renounce loving. (You can give everything for this.)
Bolshak. (Well, how can one live without love.)
The trouble. (Looking for me in the world.)
Bye, summer. (Birds gather in flocks again.)
I want the summer not to end. (The whole earth is warm.)
Bird Market. (Birds in a cage, and crows in the wild.)
10 commandments. (I rose from boredom.)
A man in a quilted jacket. (And on the white snow he was leaving the chase.)
Blue bird. (We walked into such steps.)
Puppets. (Faces are erased with paint dull.)
Bonfire. (It will take off everything.)
While the candle is burning (There are days when you throw up your hands.)
Three windows. (I forgot about storms and thunderstorms.)
My love is alive like the scarlet color of mountain ash (Sergey Drozdov)
Night bird. (What one sings about in the autumn silence.)
A forgotten song is carried by the breeze. (God, how long has it been.)
When you understand with your mind. (That you are the only one in the world.)
Come to my house. (My doors are open.)
Vladimir Central. (North wind.)
Kate. (Matchmakers came to my father.)
Kolshchik. (Poke the domes on me.)
Silence. (Oh, how you want unfamiliar hands and damn pleasant and moist lips, feminine tenderness.)
Pai girl. (How warm it was. What brought you and me together?)
The cherries ripened. (In Uncle Vanya's garden.)
Taganka. (Why did you ruin me.)
Wait, steam locomotive. (Conductor, press the brakes.)
Vanino port. (I remember that Vanino port.)
Take me, cab. (Pour a drink for her, dear, to remove the whim.) Alexander Novikov.
In Kolyma. (Where tundra and taiga are all around.)
Ushanochka. (And I'll pull the earflaps deeper.) Gennady Zharov.
Pigeons are flying over our area. (How I would like to fly away with pigeons to my native land.)
The share of the thieves. (This is the share of the thieves.)
My grandmother smokes a pipe. Garik Sukachev.
On the tundra, by rail. (Where the Vorkuta - Leningrad train rushes.)
Testimony of an innocent person. (I leaned back, what a bazaar is a station.)
The night is not moving. (The lanterns wobble and the owl struck with a wing.)
Suitcase. (Come on, put your suitcase away.)
Trilogy about an old woman's grandmother. (Grandma is healthy and dreams of surviving the raid.) Arkady Severny and Grisha Berbe.
Railway station. (I'll go to the station today.) Garik Krichevsky.
Preparation for the performance, in addition to the actual constant and regular training of the vocal apparatus, consists in the competent selection of the repertoire corresponding to the vocal level of the singer. At the initial stage, as a rule, an uncomplicated repertoire is chosen - folk songs, mid-register romances, which do not require a lot of tension, so that the singer could think not about HOW to sing, but about WHAT to sing, that is, he thought in images of the work, but I was not distracted by the technical side of the issue. The singer grows as a performer and as a vocalist, first of all, on a properly selected repertoire.
The piece chosen for the student must always correspond to the level of his musical development, vocal and performing training. Artistic pedagogical material requires special attention to the gradualness and consistency of increasing the difficulties of works. This applies equally to both musical and vocal and performing difficulties. Especially destructive for the student's voice is the vocal and technical repertoire that is overwhelming. Improperly selected works can delay the vocal growth of a student and even cause direct harm.
The use of a voice-friendly repertoire contributes to the coordination of the work of sound-generating elements, including those not subject to consciousness. Folk songs are especially useful at the first stage of learning. They have many advantages and are primarily voice-friendly.
The folk song is the basis for music and singing. Folklore was appreciated by the greatest musicians. Passing orally from generation to generation, folk melodies are, as it were, filtered by voices and concentrate elements of convenience for singing. They filter out that which contradicts the mass nature of voices and exceeds their average capabilities. Folk songs are varied in character, built, as a rule, on a small range, which is very convenient for novice performers. Their Tessitura is very moderate. The intelligibility of words, the couplet form of the structure, the ease of memorizing the musical texture allow the student to easily combine the vocal, technical and performing sides of the performance of the work. They are both simple and extremely expressive.
The style of performance of Russian songs requires simplicity, naturalness, sincerity, good text delivery. The verse form makes the beginning singer find his own nuance in each verse, which diversifies the performance.
The great Russian opera singer Maksakova Maria Petrovna found “her intonation, drawn out, sometimes perky, but always ennobled by feminine softness ... it is a subtle humor that is alien to any pressure. The singer painted each verse so intonationally, pronounced "Eh!" With such a unique expression that every time it sounded differently, depending on the shades of the narrative, but always with the attitude of the heroine to her lover. "
Lemeshev says about Russian song: “Russian song is full of lyrical depth and poetry. The people polished it for centuries, and therefore nothing casual, superficial or cheap remained in its melodic and poetic images. Pure, lofty human feelings crystallized in the beauty of her melodies, and she demands from the singer the same purity, scale and sincerity of performance. "
Romances by such authors of the pre-Linka period, such as Bulakhov, Varlamov, etc., and later ones, including the Soviet period, on the verses of famous poets in the performing sense require a very attentive attitude to the verbal text, a well-developed sense of style. They are simple, melodious, most of them have a verse form, which makes them similar to Russian folk songs, but at the same time they have a more developed musical side. They are written in a comfortable tessiture, do not capture a wide range of sounds, are easily accessible in terms of their musical language and according to the requirements they place on the vocals of novice singers. They are simple, they must be performed sincerely, without going beyond the framework of naturalness and immediacy.
According to Sergei Lemeshev, “Beautiful singing presupposes a natural, sincere expression of feelings. The singer should feel as if his whole being is singing. But do not force the sound, do not try to show it more than nature has allowed you to do. "
Lemeshev wrote that in his work on the image of this or that work, and Stanislavsky worked a lot with the singers of his opera studio on romances “Stanislavsky proceeded from the principle of internal justification of a particular mise-en-scene, and not a visual effect. He understood that the correct state of health of the singer, his correct psychological setting, will always lead him on the right path to the stage image, help him expressively sing important and vocally difficult parts of the part. " ... Thus, we come to the conclusion that when choosing a repertoire for a beginner singer, it is necessary to take into account his temperament and individuality, not only of the vocal apparatus and the degree of its development, but also the psychological aspects of his character. For example, a slow person, phlegmatic by nature, will find it difficult at the beginning of his studies to correctly perform a perky, buffoonish song that requires dashing prowess in his performance. For such a student to perform at a concert, it is better to choose a piece that is calm, lyrical, measured in form and content.
When choosing compositions for a concert, it is better to think over their sequence in the concert program in advance. First, a piece that is easier in vocal terms is put on, for practicing, and then, more difficult in terms of vocal and performance.
Preparing the selected piece of music
"It is recommended to conduct classes on a piece of music in two ways: on the one hand, working on the artistic performance of the piece, and on the other, working on it purely technically, that is, as if redesigning this piece into vocalization."
Based on the topic of our research, we would like to focus on the musical and artistic side of the preparation of works and omit the purely technical side of voice production. We want to focus on working on the artistic and performing means of expressing the work. These funds include:
Clear diction and correct articulation, and as a result - delivering a legible vocal word to the viewer;
The intonation and phrasing of the piece.
Work on diction
Our word, addressed to the audience, either in speech or in singing, should be clear in pronunciation, expressive and loud enough to be heard in the last row of the audience.
A good singing word, i.e. the ability to naturally pronounce the verbal text of a work, combining this with good vocalism of all vowels, is an indispensable condition for professional singing, and for most singers it is the result of a lot of work. A good message of the word, its correct emotional coloring, naturalness are essential for a professional singer.
In order for the text of a vocal phrase in a work to be natural, well heard by the public, each singer must know those patterns that determine the basic qualities of good vocal speech.
Vocal speech should be: legible, i.e. have good dictional clarity; natural, to the extent that the vocal allows it; expressive, i.e. contain the elements that make up the expressiveness of speech; vocal, i.e. built on equal vocal vowels.
Professional singing requires a clear message of the word. An extremely unpleasant impression is created when words are not clearly pronounced. No matter how talented and musical the performer is, no matter how wonderful in beauty his voice he may have, his singing will not make the proper impression if it is not dictatorially clear. If the listener strains his ear in order to understand the meaning of the words that the singer is singing about, then he no longer fully perceives the beauty of the voice and expression, but focuses on catching the word. The inability to understand the word annoys the listener, and the impression of the performer is sharply reduced. Unclear diction is a big drawback of the singer, a technical flaw in voice education, which can always be eliminated.
“Vocal diction, like the art of singing, contains two elements: creative and technical. A creative element is the artistic distribution of the semantic content (weight) of a word, depending on the artistic tasks assigned to it, on the idea and meaning of the work being performed. The technical element of diction is the ability to cleanly, fully sing vowels and pronounce consonants clearly. The flow of vowels must not be disturbed by wedging consonants. All vowels in singing should sound clean, clear, and their "vocal core" should not undergo noticeable changes when they change. "
Diction - i.e. the intelligibility of words depends, as in speech, on the clarity and intensity of the pronunciation of consonants. The speed and clarity of pronunciation of consonants must be carefully monitored from the very first lessons, when works with text are given, paying special attention to the consonants that are at the end of words. A very common mistake inexperienced singers make is eating consonants at the end of a word that encloses a phrase. If a consonant sound is at the end of a phrase, then along with the end of the sound, the singer weakens the articulation of the consonant, as a result of which it is pronounced sluggishly and does not reach the listener. It is necessary to immediately teach the singer to actively and clearly pronounce the consonants at the end of words.
Lemeshev on diction: “I'll start with the elementary - with diction. How often do singers, especially opera singers, suffer from fuzzy, weak diction. Often there are artists with expressive voices in the color of the sound that convey the mood well. But what they sing, remains known only to him and the prompter ... Sometimes one can justify himself by saying that the orchestra drowns out; but some manage to pronounce words so much that they cannot be understood, even when the orchestra is silent ... The fact is that by nature not all are equally endowed with the ability to pronounce words clearly and clearly. And we have to work on diction specially. "
K.S. Stanislavsky perceived the art of speech as an art no less complex than the art of singing. He often said: "A well-spoken word is already singing, and a well-sung phrase is already speech."
To achieve good results, it is necessary to work on improving the articulation apparatus, to develop its technical capabilities. The appendix contains several exercises to improve the quality of vocal diction according to the book by E.M. Pekerskoy "Vocal Primer".
This page contains a list of songs that people like most at holidays, events, celebrations - anniversaries, weddings, wedding anniversaries, corporate parties, birthdays. Precisely, basically on this principle, I teach them. If you are often asked to perform a song, but I don’t know it, I’ll teach it right away.
Popular, VIA, funny, dance, romances, gypsy and others.
Not specified, which I perform into a microphone using electronic text (not by heart). There are ten times more of them than in the list below.
You can listen to the songs in my performance by going to the pages Yuri Kuznetsov sings.
I have a very good memory by nature. I will be happy to learn and sing at your holiday any song that you or your guests like.
ROMANCE
Fireplace sparks
Your eyes are green
Under the caress of a plush blanket
Don't go, stay with me
Burn, burn, my star
Pair of bay
Fragrant bunches of white acacia
There are meetings only once in life
Enchanted, bewitched
Moscow golden-headed
Furry bumblebee
Black eyes
Two guitars behind the wall
At dawn, don't wake her up
Chrysanthemums have faded long ago in the garden
I thought you were happy
I will never forget you
Misty morning
Move away, don't look
The Long Road
I met you
Coachman, drive to Yar
At last I will tell you
Gray hair (And you and I have not aged at all ...)
Bells (Bells are heard ringing from afar ...)
There was a carriage outside the church
The reeds rustled, the trees bent
Don't go away, my dear
My bonfire shines in the fog (Old gypsy romance)
Vain words (Malinin)
Good night gentlemen (Leps)
Romance of the General of Blackness (Again alone in bed half asleep) Alexander Rosenbaum
Capricious, stubborn (Old Russian romance)
Do not persist (And for what and for what I fell in love with you)
Fireplace sparks
Happy
List of songs for anniversary, birthday.
I spend a variety of anniversaries 60, 50, 65, 70, 55, 80, 45, 30 years and others. For men and women. In order to make it easier for me to understand what to sing at your celebration, please send me by mail a list of those musical compositions that you and your loved ones like the most. And they will certainly sound at your holiday in my performance.
At the celebration, I ask the guests "what do you want to listen to?", "What will we sing together?" But any impromptu is good when it is prepared in advance.
You can record any song or even a whole disc for the hero of the day at the studio. At the beginning of this album, say what you wish for the hero of the occasion and think about him. Such a gift will be very valuable and unforgettable.
Jubilee ditties. Dedicated to his beloved woman. List of songs dedicated to the anniversary, birthday: Happy birthday (Everything today is just for you.) Irina Allegrova. Dedicated to a woman. For you, my woman. (I raise my glass. Today is your birthday.) Mikhail Sheleg. RUSSIAN FOLK SONGS On the wild steppes of Transbaikalia From behind the island to the rod My dear Oh, frost, frost A young Cossack walks along the Don Oh yes you pour I'll go outside Went to the fair uhar-merchant Lady, Tsyganochka, Yeletskaya (ditties) Once I swam by the sea Am I to blame In the moonlight (Ding-ding-ding ...) Peddlers The bell rings monotonously Oh, with a meadow, with a meadow How a soldier served As if the Volga is a mother When I served as a coachman at the post office My joy lives Steppe and steppe all around It was a long time ago, seventeen years ago Who needs it (In the middle of the grandma, in the middle of Lyubka, in the middle you are mine, gray dove) Charming eyes We walk through the village (we give out gifts. To whom the son, to whom the daughter) Nadezhda Kadysheva. "Gold ring". In the moonlight Ukhar merchant SONGS ON POEMS BY SERGEY ESENIN Above the window a month I do not regret, do not call, do not cry Dissuaded the golden grove Maple you are my fallen Letter to mother (You are still alive, my old lady ...) I have one fun left Weaved on the lake I'm a Moscow naughty reveler I have never been to the Bosphorus Moscow (Mongol Shuudan) Mother's letter SONGS ABOUT THE MOTHERLAND I will pray for holy Russia (Hierodeacon Theophilus) I will go out into the field at night with a horse. Russian Field (Jan Frenkel) From the movie "New Adventures of the Elusive." I drank birch sap in the spring forest. (Mikhail Nozhkin) .From the film "Resident's Error" Call me softly by name (Lube). A song about a distant homeland (I ask for a little while). From the film Seventeen Moments of Spring. Where does the Motherland begin. (Mark Bernes) Matusovsky's words. Birch sap (Only under the snowfield to bloom on time). Songs. I love you Russia! My dear Rus! (Mikhail Nozhkin. David Tukhmanov.) March - "Farewell of a Slav" Written in 1912. Song of the Motherland. (The sun is shining in the clear sky.) Why are birches making noise in Russia? (Nikolay Rastorguev and Sergey Bezrukov.) From the series "Plot" I will go out into the field with my horse at night. Migratory birds are flying (I don’t need the Turkish coast and I don’t need Africa.) Oh, you are a wide steppe. Chistye Prudy (Igor Talkov). Our toast. (Let's drink to the Motherland, drink to Stalin, drink and pour again.) Song of the war years. Crane. (Though the earth is warmer there, but the homeland is dearer.) Mark Bernes. Russian anthem. SONGS ABOUT MOSCOW Moscow golden-headed Moscow windows Moscow Nights My dear capital, my golden Moscow Alexandra (film "Moscow Does Not Believe in Tears") Moscow. The bells are ringing I walk around Moscow SONGS ABOUT PARENTS Parental home. (Lev Leshchenko) "The parental home began to begin." Let us pray for our parents. (Soso Pavliashvili). Letter to mother (You are still alive, my old lady). But the words of Sergei Yesenin. Talk to me mom. Sweet mom. (Mom, dear mom, how I love you). My dear old people. Igor Sarukhanov. House with windows to the garden. Brothers Radchenko. SONGS ABOUT FRIENDSHIP Song about a friend. (When you fell off the rocks, he groaned, but held on.) Vladimir Vysotsky. Friendship. (That our tenderness and our friendship are stronger than passion, more than love.) Song of friends. (There is nothing better in the world than wandering friends around the world.) The Bremen Town Musicians. Song about a friend. (A friend is always ready to give up a place in the boat and a circle.) If you went out with a friend. (What is snow for me, what is heat for me when my friends are with me.) For friends. (I raise my glass) Vladimir Chernyakov. LOVE SONGS Enchanted, bewitched You are my only one (Yu Vizbor) For me, you are not more beautiful What a woman These eyes are opposite. Obodzinsky. To please. (I want to please you today). Anatoly Dneprov. Dawn scarlet. (Lips are scarlet. You are my long-awaited love). Brothers Radchenko. Eastern song. (Is it raining warm). Valery Obodzinsky. Singarella. (The anvil groans loudly, since the girl is in my hands). Lyric (Here the paws of the fir trees ...) V. Vysotsky White swan on the pond For lovely ladies I thought you were happy I raise my glass Baby, can you hear me My clear star ("Flowers") Outside the window bullfinches (Trofim) My wealth (Yu. Antonov) Esmeralda ("Notre Dame de Paris") Bouquet (A. Barykin) Mole (I met a girl, a crescent eyebrow ...) Darling, sleep I wish you from a thousand stars (I. Sarukhanov) Mirror (Yu. Antonov) Because you can't be beautiful like that ("White Eagle") My only one (F. Kirkorov) I love you to tears. (I'll make our bed with white rose petals). Alexander Serov. I miss you (Trofim) Natalie Sweetheart (Nepara) For love (Lyubavin) My love Gone are the sunny days You tell me cherry Good morning beloved (Mityaev) You and I are two banks by the same river (Rada Rai) Doves kiss on the roof WEDDING, WEDDING ANNIVERSARIES Wedding. (Give love to each other.) White Eagle. Wedding ring We wish you happiness Listen mother-in-law, dear friend, help ... Be healthy, live richly Why do brides cry I want to marry you The first love Wedding (V. Korolev) Invite your father to the white dance (I. Demarin) Daughter (Kobzon) I want to marry you WAR SONGS Officers (O. Gazmanov) From the heroes of the bygone days (film "Officers") Dark night Eh, roads Rota goes to heaven In the dugout Let's wave without looking (film "Shield and Sword") Where does the Motherland begin The last fight, it is the most difficult (film "Liberation") Dark girl Three tankmen The armor is strong and our tanks are fast Tanks rumbled across the field Gunners, Stalin gave the order Come on for ... ("Lube") There in the distance beyond the river How a soldier served Do not think down on seconds (film "17 Moments of Spring") I ask for a little while (film "17 Moments of Spring") Combat ("Lube") Victory Day Song of the 10th Airborne Battalion (film "Belorussky Station") Farewell to the Slav Cranes (It sometimes seems to me that the soldiers ...) Sineva (Paratroopers' Song) Alyosha (Does the powder turn white in the field ...) I'll get up before dawn today The girl accompanied the fighter to the position The division marched forward along the valleys and hills No need to be sad, gentlemen officers Cuckoo (Blue Berets) Gentlemen officers blue princes A couple lived in the same city Battalion Intelligence (Blue Berets) Farewell to the Slav SONGS FOR FLYERS It's time to hit the road. (On a rainy evening) From the movie Heavenly Slow-Walker. SEA SONGS. FOR SEAFERS. There behind the fogs. (Blue sea, only sea astern.) AFGHAN SONGS In a black tulip (A. Rosenbaum) Orders are not for sale COSSACK SONGS Love, brothers, love Are you waiting, Lizaveta Black Raven Oh, it’s not evening, it’s not evening A young Cossack walks along the Don Only a Cossack bullet (A. Rosenbaum) And on the window platbands (A. Rosenbaum) Horses roamed on the Don, on the Don (A. Rosenbaum) Old Man Ataman (Chizh) Courageous centurion Oh, with a meadow, with a meadow Unharness, lads, horses Oh you Galya, Galya young Not for me Love, brothers, love UKRAINIAN SONGS You pidmanula me The power of the bird Noyako michyachna Ridny my mother Chervona Ruta Nese Galya water Black eyebrows, brown eyes There by the spring, by the garden Black eyebrows, brown eyes By the cherry orchard SONGS Belarus. (My youth is Belarus). I dreamed about you in the spring Bialowieza Forest You make noise, make noise over me byarozi SYABRY And I will lie down. JEWISH SONGS Hava Nagila Tum balalaika Jewish tailor. (Quiet as in paradise) GEORGIAN SONGS ARMENIAN SONGS Sirun, Sirun GYPSY SONGS Furry bumblebee Black eyes Two guitars behind the wall Guess me, gypsy Nane tsoha (from the movie "Tabor goes to the sky) Prihayape Kayo berge Shatritsa (Ay, yes, yes, yes, yes) Turquoise gold rings I love the gypsy Jan Song of Yashka the Gypsy (film "The Elusive Avengers") Not evening Baby, can you hear me Oh, the young boy went on a spree Coachman, drive to Yar Mamma Sokolovsky choir near Yar Oh yes Velichnaya (He came to us, came to us) Gray hair (And not much you and I have not grown old ...) Singarella My bonfire shines in the fog I will tell you how I lived with gypsies Marjanja Gypsy love Blue poppies Da-Luda-La I will bring you flowers Zakhachkirna Nane tsoha Marjanja (gypsy) SONGS ABOUT ODESSA The scows are full of mullets. (Kostya brought him to Odessa.) SPANISH SONGS Besame mucho Ma guitar (film "Desperate") Banderas ITALIAN SONGS About salt myo SONGS FROM THE REPERTOIRE M. Shufutinsky Left bank of the Don Khreshchatyk Knives not sharpened Jewish tailor Zoya wrote me a letter Two extinguished candles Singarella My Soul Hurts Tanya youngster A bottle of wine There lived one violinist (Cry, my violin, cry ...) Candles (Burning, candles cry ...) Muscovite I will tell you how I lived with gypsies Marinochka, Marina For lovely ladies Marjanja And for the last, but for the five Palma de Mallorca Yu. Antonov Mirror (I look at you like in a mirror) Ah, the white ship My wealth (Again a month ascended the throne) For me, you are not more beautiful Dreams come true Flying gait 20 years later Anastasia The roof of your house (We are all in a hurry for miracles) Near birches and pines. (Autumn wanders quietly. Is it really all gone). Alexander Rosenbaum Evening drinking (Let's raise this bowl) Song of a Jewish tailor. (Quiet as in paradise.) Oleg Mityaev Summer is a small life. (Look at what a beautiful house you live in.) Vladimir Vysotsky Vertex. (This is not a plain for you.) When we met with you. (The bird cherry blossomed.) Lyrical Yuri Vizbor You are my only one. (There is no other one.) Bulat Okudzhava Georgian song (I will bury a grape seed in the warm earth.) Sergey Trofimov (Trofim) Bullfinches. (Outside the window, bullfinches.) Stas Mikhailov Muslim Magomaev Alexander Malinin Lieutenant Golitsyn. (Don't be discouraged.) Yu Loza Igor Talkov Clean ponds. (Each of us has places in the world.) Viacheslav Dobrynin Do not put salt on my wound. (Don't say sobbingly.) Vakhtang Kikabidze My years are my wealth. (Let my head be gray.) Grigory Leps Natalie. (I can't get away from you and fate.) Alla Pugacheva Million Scarlet roses. (Those who are in love with seriousness will turn your life into flowers.) FORESTRY I'll buy you a house (White swan on the pond.) Ivan Kuchin In the tavern (Let's drink to our friends for our faithful.) M. Gulko Enemies burned their home Schoolgirl I haven't seen my mom for so long Blue skies of russia One Victory (Song of the 10th Airborne Battalion) Odessa Mishka Why are you married If i get sick Behind the fog Gentlemen officers SONGS FROM VIA'S REPERTOIRE "Gems", "Funny Guys", "Blue Guitars" For me, you are not more beautiful This never happens again I'll take you to the tundra I will not approach you Clear bright eyes When we are silent together Aleshkina love Time Machine. (Andrey Makarevich.) Turn. (We gave ourselves our word.) "DDT" "Flowers" My clear star We wish you happiness "Blue bird" Where the maple makes noise "LYUBE" There, beyond the mists Call me softly by name Why do birches make noise in Russia? I will go out into the field at night with a horse All over again On the tall grass Sunday. (Konstantin Nikolsky.) Musician. (The violinist. He hung up his frock coat. The musician over the back of the chair.) Mikhail Krug BEST SONGS OF ALL TIMES Moscow Nights Russian field How many good girls Friendship (When with a simple and gentle gaze ...) By the very blue sea There is only a moment Hope (An unfamiliar star is shining ...) That the heart is so troubled And the years fly by I love you life There is nothing better in the world Song of the old cab (L. Utyosov) Black cat Wonderful neighbor We wish you happiness Under the wing of an airplane Purple Haze Here under a strange sky Crimson ringing There in the distance beyond the river Queen of beauty Candles (On an autumn night outside the window ...) White snow Lonely accordion Ryabinushka (Evening with a quiet song ...) Someone came down from the hill Bloomed under the window ... There are so many golden lights on the streets of Saratov ... Daisies hid My village From far away the Volga river flows for a long time Suddenly, like in a fairy tale, the door creaked For you, my woman I met a girl with a crescent eyebrow Lanfren-lanfra Bouquet (A. Barykin) green-eyed taxi Sailor (And when the sea is rolling ...) The dark mounds are sleeping I raise my glass I'll take you to the Tundra From Vagante (On the French side ...) Dawn scarlet You can't hide from people in the village Trouble has green eyes Parental home People meet, people fall in love How delightful evening in Russia Sharmanka (N. Baskov) The city that does not exist (I. Kornelyuk) Moscow, the bells are ringing Mirror (Yu. Antonov) Call me softly by name ("LYUBE") Coward does not play hockey Song about Shchors Talk to me mom Tenderness The river runs in the fog and melts Have you heard the blackbirds sing If you go out with a friend All will pass By the forest at the edge Blue frost You will wake me up at dawn Thank you for your son, thank you for your daughter Ural mountain ash God save the king Once a year, the gardens bloom Teddy bear, teddy bear, where is your smile Village (I consider myself urban now ...) (S. Belikov) It just so happens if you fall in love ... Dress (Nothing to wear, whatever you say ...) Galina lives in this house Swan loyalty Bells Indian summer The bird cherry sways under the window Lost the bears Former podsaul (Talkov) New Year's (Serduchka) There is no better color Good mood Dawn Till Dawn (Dan Spataru) Tell me cherry (Kirkorov) Good mood Siberian frosts (Kuzmin) Wanderer (V. Presnyakov) The bird cherry blossomed Buttercups flowers Blue poppies I remember the stars are blue Wandering artists Gold fish The bears got lost. Yard songs with a guitar. Nichyako michyachna "Only old men go to battle" Tanks rumbled across the field "In war as in war" From the heroes of the bygone days "Officers" Cavalier guards, a century is not long "The star of captivating happiness" Your Honor "White Sun of the Desert" Cursed thoughts "Five evenings" Horses are walking over the river "Bumbarash" Scows full of mullet "Two fighters" Dark night "Two fighters" Friendship "Summer evening in Gagra" Three tankmen "Tractor drivers" Migratory birds are flying "Cold summer of 53" Song about a friend "Vertical" Here you are not flat "Vertical" The dark mounds are sleeping "Big Life" Time to go, on the road "Heavenly slug" From people in the village ... "It was in Penkovo" Do not think down on seconds of "17 Moments of Spring" I ask for a short while "17 Moments of Spring" Trouble has green eyes "Dangerous friends" Lanfren-lanfra "Midshipmen, forward" The city that does not exist "Gangster Petersburg" Shaggy bumblebee "Cruel Romance" And finally, I'll say ... "Cruel Romance" Not evening "Dowry" Honey, you hear me "Dowry" Wait, the "Operation Y" steam locomotive Oh, at the meadow, at the "Wedding in Malinovka" meadow Are you waiting, Lizaveta ... "Alexander Parkhomenko" Love, brothers, love "Alexander Parkhomenko" I'm in the spring forest ... "Resident error" From dawn to dawn "Song of the Sea" About hares "The Diamond Arm" Birch juice "Real guy" Our service is both dangerous and difficult "Experts lead the investigation" Again the month ascended to the throne "Take care of women" Ma guitar (Banderas) "Desperate" March of the gunners "6 pm after the war" Suddenly, like in a fairy tale ... "Ivan Vasilyevich changes his profession" The Island of Bad Luck "Diamond Arm" Kurochkin's couplets "Wedding with a dowry" Song about a friend (If there is one joy for everyone) "The way to the pier" Why didn't you meet me "Different destinies" RUSSIAN CHANSON Murka (You are my moray eel.) Anniversary of a woman - songs about female beauty, about love, songs for women. Anniversary of the man. Songs for men, about friendship, favorite works. Anniversary of the company, corporate holiday, anniversary of the company - songs about the profession, professional songs. City holiday - the day of the city, songs about Moscow, cities. Special repertoire for Victory Day, May 9, Defender of the Fatherland Day February 23, International holiday March 8, Valentine's Day, Shrovetide, Christian holidays, Russian Independence Day, Christmas. Retro parties. Hits of the 60s, 70s, 80s, 90s Popular songs of Soviet performers and VIA, Disco 80s. Evenings over 30, over 40 - dance hits. Concert performances in restaurants, clubs, boarding houses, rest houses. You can continue listening to the songs on the pages of Yuri Kuznetsov sings.
I sing and the great singer Zarina.
This woman.
Happy birthday. (My friend, all your friends congratulate you.) Nadezhda Kadysheva.
Wish. (I want the songs to sound, so that the glass is filled with wine.) Vakhtang Kikabidze.
My years are my wealth. Vakhtang Kikabidze.
Wish. (So that they live up to a hundred years, so that they do not know grief.) Elena Vaenga.
Song of the crocodile Gena. (Let run clumsily.)
And the years fly by (Our years fly like birds.)
There is only a moment. (It is he who is called life.) Oleg Anofriev.
Evening drinking. (For the strength that the waves carry in full.) Alexander Rosenbaum.
Duck hunting. (My father and mother taught me.) Alexander Rosenbaum.
Shores. (Between them is the river of my life.) Alexander Malinin.
Today I'm 50. (And this is not evening.)
How young we were. (How sincerely they loved, how they believed in themselves.) Alexander Gradsky.
How amazing. (That we all gathered here today.) Oleg Mityaev.
A lonely peasant over 50. (Life goes on quietly, but gnaws lightly, but does not bite.) Dmitry Vasilevsky.
Birthday girl. (We are going to celebrate your birthday.) White day.
Ay. (I would like to give you a song. Everything in comparison with you is insignificant.) Alexander Rosenbaum.
I can’t have you on your birthday. (Give expensive gifts.)
Enchanted by the bewitched. (You are my precious woman.) Mikhail Zvezdinsky.
You are my only one. (There is no other one like that.) Yuri Vizbor.
The Volga river flows. (Among the ripe loaves, among the white snows.) Lyudmila Zykina.
I wish you. (Out of 1000 stars, one is the brightest.) Igor Surukhanov.
My darling
A stream flows. (A stream runs.)
I'm drunk.
Plucked a rose. (I met a rose it was blooming.)
There was a carriage at the church.
Collective farmer. (There is a collective farm on the mountain, a state farm under the mountain.)
There are so many golden lights. (On the streets of Saratov.)
The bird cherry sways under the window. (Showering his petals.)
Someone has come down from the hill. (Probably my dear is coming.)
Old maple. (Knocks on the glass.)
As my mother wanted me. (Yes, pay for the first.)
The river is wide. (Cursed love.)
Charming eyes. (You have enchanted me.)
The month was colored crimson. (Let's go beauty ride.)
The mail troika is racing. (Along the Volga to mother in winter.)
Evening call, evening Bell. (He leads so much thought.)
Thin rowan. (What are you standing rocking.)
There is no better color. (When the apple tree blooms.)
Khasbulat is daring. (Poor saklya is yours.)
It's not the wind that tends the branch. (Dubravushka is not making noise.)
Felt boots. (The old ones are not hemmed)
Fire. (The girl accompanied the fighter to the position.)
Along the Murom path. (There were three pines.)
Lilies of the valley. (You brought me today.)
Oh snow snowball. (White blizzard.)
On a clean field. (Why are you hot, why are you handsome.)
It's raining outside. (Waters from a bucket.)
Katyusha. (Apple and pear trees were blooming.)
Ah Samara is a small town. (Restless me.)
Corner of Russia, paternal home. (Pesnyary) Music In Shainsky.
Moscow (I love this city of elm). Sergey Yesenin.
The best city on Earth (These words about you are Moscow). Muslim Magomayev.
The song of the old cabman (Only a spring morning will burst over Moscow). Leonid Utyosov.
Ah Arbat my Arbat (Bulat Okudzhava)
My love is alive like the scarlet color of mountain ash. Sergey Drozdov.
Without you (S. Mikhailov)
Everything for you (S. Mikhailov)
Queen of inspiration (S. Mikhailov)
Three wishes
Near the bridge
Lastly, I will say
I would only know that somewhere you live (O. Mityaev)
Guitar
I want to marry you
Bells
You dreamed in the spring ("Pesnyary")
Draw yak michyachna
I asked ash
Wait, I'll turn on the light for a minute
Young
Furry bumblebee
The first love
This woman
Oriole
City of Sochi (Trofim)
For you, my woman
Ay (Rosenbaum)
Doves kiss on the roof
Don't go stay with me
I met you
Ivushki
Get high
Smoke from menthol cigarettes
My joy lives
White birch
Let's go for a beautiful ride
There by the cherry orchard
Black eyes
Black eyebrows, brown eyes
Turquoise, gold rings
Ukhar merchant
Weaved on the lake the scarlet light of dawn
My dear forest sun
Kalina (Rada Rai)
Marjanja (M. Shufutinsky)
Two extinguished candles
Candles
When I met you the bird cherry blossomed
That evening I did not drink, did not sing (Vysotsky)
Trouble (Pugacheva)
Two roses
Wasted words
Do not put salt on my wound
I'll take you to the tundra
Where the maple makes noise
White motor ship
On that highway
Purple Haze
Lanfren lanfra
Your eyes are green
Under the caress of a plush blanket
Sailor
Once I swam by the sea
Let's drink to love
Thank you for your son and daughter
Tenderness
You will wake me up at dawn
Poplar
Fireplace sparks
Once a year, the gardens bloom
The dress
Swan loyalty
Indian summer is noisy
Knives not sharpened
Sorcerer
Get high
I'm ready to kiss the sand
Gate
Only time
Misty morning
Move away don't look
My dear
I'm drunk
Go outside
Am I to blame
Peddlers
The boat was sailing on the sea
Black eyes
Who made you like this
The snow is spinning
Free duck
Cornflowers in the field
Seagulls astern
Bonfires are burning distant
White mists are floating
A couple lived in the same city
I have to live with you all my life at least once (Vizbor)
Thanks for the day, thanks for the night (M. Boyarsky)
Lonely branch of lilac
Beloved woman
My beloved woman (Timur Temirov)
Sweet dream - on the white blanket of January. (Here it is, the long-awaited summer to spite fate).
You are my tenderness. Nargiz Zakirova. (You are my heart, you are my miracle).
Wedding. (This wedding sang and danced). Magomayev.
I love you to tears. Alexander Serov.
Silver weddings. (And 25 silver aprils surround you like sons). Valentina Tolkunova.
Golden wedding. (Grandma is next to grandfather).
Officer wives
He did not return from the fight. V. Vysotsky.
Hobble slowly. (On an early sunny morning she saw off). Adrenalin.
A couple lived in the same city. (Oh, you women are unfaithful to their husbands, the husband is at the front, and you are here for a walk). Songs of the war years.
Because we are pilots. (We are friends of migratory birds. Well, the girls later.)
The main thing, guys, is not to grow old at heart. (Under the wing of the plane.) Soviet song.
The plane is my pectoral cross. (The sky is blue.) And Dolsky.
Phantom. (My phantom is gaining altitude with a roar with a white arrow on its spread wing.)
Goodbye beloved city. (We leave tomorrow at sea.)
Goodbye rocky mountains. (And the waves moan and cry.) War years.
Coveted stone. (Cold waves rise in an avalanche,) Sevastopol. Black Sea Fleet.
Tired submarine. (The boat is compressed by wild pressure.
The sea spreads wide. (And the waves are raging in the distance.)
Varangian. (Our proud Varangian does not surrender to the enemy.)
Sea. (The sea is a bottomless world.) Yu Antonov.
Blue eternity. (O sea sea, take me far away.) Muslim Magomayev.
By the sea. By the blue sea. (Vacation of love.)
Oysya, oysya, do not be afraid of me.
Vologda.
Father's house. (A corner of Russia is the father's house).
Our beloved ones. (Do not offend your loved ones with reproaches).
Birch juice. (As soon as the snowdrop blooms on time).
Blackbirds. (You've heard the blackbirds sing).
I cannot do otherwise.
Half an hour before spring.
Listen to mother-in-law.
Olesya. (Lives in the Belarusian woodland).
Buy cigarettes. (Approach the infantry and sailors)
Verses about Jews. (There are only Jews around)
Dai liu dai la (Gypsy ditties)
It smells like the sea. (And the moon hangs over the spar itself.) Mikhail Shufutinsky.
Ah, Odessa. (Pearl by the sea.)
By the black sea. (There is a city that I see in a dream.) Leonid Utyosov.
From what (I was just recently loved and sweet)
Duck Hunt (Walk like this, shoot like that shoot.)
Capercaillie (On the current)
Come to our light.
Prophetic fate (Field, field.)
Esaul is young. (I dozed off under the alder.)
Sleep in hand. (A gray horse with apples.)
Cossack (Under the evening dawn.)
Waltz Boston.
Violinist Monya. (Hello guests.)
Cab. (It's such a good day.)
On the Don on the Don. (The horses walked.)
Black Tulip. (In Afghanistan, in a black tulip.)
Ay. (I would like to give you a song).
GOP stop. (We came around the corner.)
Ninka. (Like a picture.)
Bunny. (Zoya wrote me a letter.)
Classmates. (My classmates, schoolchildren.)
In Odessa, on the Maidan. (The noise is a commotion.)
Pintail. (The duck is free.)
From bell to bell. (I served my term.)
My Odessa. (Smells like the sea.)
Conversation at the hotel. (Wait, I'll turn on the light in the room for a minute).
Good morning darling.
(You are my dear.)
Frenchwoman. (She is as much a Muscovite as she was.)
Neighbor. (The knives are not sharpened.)
Song about a friend. (If a friend turned up suddenly.)
Hunting for Wolves. (I struggle with all the sinews.)
Lyric. (Agree at least for paradise in a hut.)
The horses are finicky. (The horses are a little slower.)
Road history. (I came out tall and face.)
Bathhouse. (Fire me the hostess's bathhouse.)
Police protocol. (Think our way, we drank a little.)
He did not return from the fight. (Why is everything wrong?)
Dialogue at the TV. (Oh Wan look what clowns.)
The one who used to be with her. (I didn't drink or sing that evening.)
The song is a fairy tale among evil spirits. (In the reserved and dense Russian Murom forests.)
Indian summer. (Maples painted the city.)
At the cemetery. (And everything is calm in the cemetery.)
The house is crystal. (If I am as rich as the king of the sea.)
I was carrying my trouble. (Spring-like on ice.)
My love turned gray. (In Kolyma, where the tundra and taiga are all around.)
Oh where was I yesterday. (I just remember that the walls are with wallpaper.)
Royal shooter - about a wild boar. (In a kingdom where everything is quiet and smooth.)
My gypsy. In my dream, yellow lights. (Eh, one more time.)
Paradise apples. (I will die someday.)
The bride will cry for me honestly. (Others will sing all the songs for me.)
Group soldiers center. (Across the scorched plain.)
I do not like. (I do not like any time of the year when funny songs are not sung.)
I once stood on the watch. (I hold onto my pocket.)
My sweetheart. (Forest sun.)
Bending the guitar. (It's great that we are all gathered here today.)
Seryoga Sanin. (Either take off, then land.)
They keep telling me. (I have to live my whole life with you at least once.)
Dombai waltz. (The skis are at the stove.)
If I get sick. (Lay down the steppe for me.)
Alexandra. (Moscow was not built in a day.)
Your Honor, Lady Luck. (Nine grams in the heart.)
Song of the 10th Airborne Battalion. (We will not stand for the price.)
Cavalier guards. (The century is short.)
Take your greatcoat, let's go home. (And you and I are a brother from the infantry.)
Prayer. (Lord, give everyone what they don't have.)
Sochi city. (Shish kebab for brandy.)
I miss you. (Like an apostle through holy torments.)
Doves. (My barefoot childhood.)
Everything for you. (There is only you in my destiny.)
Without you. (Forgive me dear.)
Queen of inspiration. (All my poems are about you.)
White birch. (I love you.)
Heaven. (Give strength to the tramp.)
Heart in the snow. (Roads far boom.)
Wedding. (She sang and danced.)
The best city in the world. (These words about you Moscow.)
Queen of beauty. (You are happiness in life, my love.)
Nocturne. (Thank you.)
Shores. (Between them is the river of my life.)
Fun. (I have one fun left.)
Romance of General Black. (Alone in bed, half asleep again.)
Gulba. (There is gold on the icons.)
Waste words. (Splash witchcraft.)
In the Cape Town Port. (The crew was released ashore.)
Plea. (Where can I get the strength to stop loving.)
Former podsaul. (He left to fight.)
Summer rain. (Started early today.)
Who told you. (No, I can never stop loving you.)
Goodbye to all train stations. (They go to distant lands.)
You will see. (How unlucky I am)
Everything that I have in life. (The world is not simple.)
I don't dream of you. (I'm too.)
Wish. (I want the songs to sound.)
Bottoms Up. (If the toastmaster asks you.)
I wander drunk. (But the wine is not to blame.)
Seeing off love. (Half an hour before the flight.)
A glass of vodka on the table.
Good night gentlemen. (And there will be angels flying over your house.)
The best day. (It's great to live after all.)
This world was not invented by us.
Not renounce loving. (You can give everything for this.)
Bolshak. (Well, how can one live without love.)
The trouble. (Looking for me in the world.)
Bye, summer. (Birds gather in flocks again.)
I want the summer not to end. (The whole earth is warm.)
Bird Market. (Birds in a cage, and crows in the wild.)
10 commandments. (I rose from boredom.)
A man in a quilted jacket. (And on the white snow he was leaving the chase.)
Blue bird. (We walked into such steps.)
Puppets. (Faces are erased with paint dull.)
Bonfire. (It will take off everything.)
While the candle is burning (There are days when you throw up your hands.)
Three windows. (I forgot about storms and thunderstorms.)
My love is alive like the scarlet color of mountain ash (Sergey Drozdov)
Night bird. (What one sings about in the autumn silence.)
A forgotten song is carried by the breeze. (God, how long has it been.)
When you understand with your mind. (That you are the only one in the world.)
Come to my house. (My doors are open.)
Vladimir Central. (North wind.)
Kate. (Matchmakers came to my father.)
Kolshchik. (Poke the domes on me.)
Silence. (Oh, how you want unfamiliar hands and damn pleasant and moist lips, feminine tenderness.)
Pai girl. (How warm it was. What brought you and me together?)
The cherries ripened. (In Uncle Vanya's garden.)
Taganka. (Why did you ruin me.)
Wait, steam locomotive. (Conductor, press the brakes.)
Vanino port. (I remember that Vanino port.)
Take me, cab. (Pour a drink for her, dear, to remove the whim.) Alexander Novikov.
In Kolyma. (Where tundra and taiga are all around.)
Ushanochka. (And I'll pull the earflaps deeper.) Gennady Zharov.
Pigeons are flying over our area. (How I would like to fly away with pigeons to my native land.)
The share of the thieves. (This is the share of the thieves.)
My grandmother smokes a pipe. Garik Sukachev.
On the tundra, by rail. (Where the Vorkuta - Leningrad train rushes.)
Testimony of an innocent person. (I leaned back, what a bazaar is a station.)
The night is not moving. (The lanterns wobble and the owl struck with a wing.)
Suitcase. (Come on, put your suitcase away.)
Trilogy about an old woman's grandmother. (Grandma is healthy and dreams of surviving the raid.) Arkady Severny and Grisha Berbe.
Railway station. (I'll go to the station today.) Garik Krichevsky.
Music repertoire of a cover band- this is a playlist of prepared non-author's compositions.
These songs are popular at events and performed in a specific cover band arrangement. A cover group is a musical group that performs non-author's compositions in an individual style. Often, such groups are ordered to liven up any event, adding zest to it and taking advantage of the opportunity to hear your favorite songs live.
One of the main mistakes of the repertoire when choosing songs!
What kind of compositions will sound at the celebration depends on the customer. The mood of the client and the impression of the musical arrangement in general will depend on how competently the repertoire of the event will be drawn up. In our case, we approve it in advance on the eve of the scheduled date. But! There is one nuance that the client forgets. Its taste may differ from the taste of the guests at the party. What to do in this case? We have found a solution to this issue and offer you to choose from 250 songs cover band repertoire Favorite songs. Further, this list is adjusted and approved with the client.
What makes a complete and high-quality playlist different:
- the presence of popular compositions (most often these are American, French, Italian world and domestic hits);
- the best songs of different times (from the 70s-80s, ending with our time);
- the presence of separate, so-called, female compositions, songs from cartoons and films, and even military or post-war ones.
Before ordering a musical group, it is worth listening to recorded performances or videos from live performances. This will give you confidence in the quality performance of certain necessary hits. It will also help to understand in what style this or that tribute group is playing and whether it is suitable for this particular celebration.
A professional cover group has at least 80 hits in its repertoire.
What styles of compositions can the band's cover repertoire include?
In terms of style and genres, the selected customer's songs can be completely different. From jazz compositions and romances to eccentric rock and roll and Latin. It is important to know in what arrangements the musical group will perform your favorite tunes. We do not experiment much with arrangements, as the listener may not like the new arrangement at all. People are used to a certain sound and the new arrangement makes it a new song.
Professional cover bands work with the following musical directions:
- jazz and even symphonic jazz;
- rhythm and blues;
- rock and rock and roll;
- pop and rap directions;
- lounge and hot jazz:
- as well as disco and hip-hop.
Do not forget about the songs of the 20th century, which can be heard in modern arrangements of professional cover bands.
What music repertoire at what celebration?
In our practice, the customer himself fills the playlist that he wants to hear at his holiday. The songs are taken from the proposed repertoire, which can be downloaded directly from the site.
Our team leader often tells customers which songs people respond to best. Considering 10 years of experience, this is not so difficult to do:
- for the wedding- funny solemn songs about love and family;
- for birthday (anniversaries)- birthday compositions;
- to the corporate- a collection of songs liked by the majority;
- jazz performance- thematic events.
Of course, for a large and eventful program, the repertoire of the celebration itself is filled with both your favorite compositions and world hits. Typically between cover band repertoire for a wedding and there is a slight difference in the birthday repertoire.
Examples of music repertoire for a wedding
One of the programs of our wedding cover band:
- The Baseballs- Umbrella
- Yuri Antonov - Flying gait
- Boney M. - Sunny
- Shocking Blue - Venus
- Queen - We will rock you
- Whitney Houston - I will always love you
- Whitney Houston - I Wanna Dance with Somebody
- Maroon 5 - She will be loved
- James Brown - I Feel Good
- THE BEATLES - Can't buy me love
- Film End - Alice
- Beasts - Districts Quarters
- Christmas tree - on a big balloon
- Tina Turner - Simply Te Best
- Viagra - I Have Another
- Black Eyed Peace - Let’s Get It Started
- Kelly Clarkson - Stronger
- IOWA - Smile
- Gagarina - The play is over
- Bon Jovi - It’s My Life
- Pharell Williams - Happy
- Bravo - Leningradsky Rock - roll
- Bravo Moscow Bit
Examples of music repertoire for corporate events
One of the programs of the Elim's Band cover at the corporate party:
- Jessie J - Price tag
- Agutin - On the lilac moon
- Iowa - Beats the Beat
- Bravo - Moscow beat
- Elvis Presley - A little less conversation
- Glorya Gaynor - i wiil survive
- Iowa - mom
- The baseballs - umbrella
- Robin Schulz - Sugar
- Beasts - Districts Quarters
- Leningrad - Exhibit (On Louboutins)
- Antonov - Flying gait
- Earthlings - Grass by the House
- Rihanna - We found love
- Clean Bandit - Rather be
- Christmas tree - Draw me the sky
- Leprechauns - Khali Gali
- Madcon - Beggin
- Zucchero - Baila morena
- Adriano Celentano - Suzanna
- Kristalinskaya - it is snowing
- Whitney houston - i will always love you
- Bon Jovi - It’s My Life
- Michel - Telo ai se eu te pego
Invite a cover group to a corporate party in Moscow!
Pakhom*ova Natalia Vasilievna
Position: choir teacher
Educational institution: MBOU DO DSHI No. 4
Locality: Kursk city, Kursk region
Material name: methodical development
Theme:"Selection of vocal repertoire for students of the Children's Art School"
Date of publication: 17.09.2017
Chapter: additional education
Municipal budgetary educational institution
additional education
« Children's Art School No. 4 in Kursk»
Methodical development
"Selection of vocal repertoire for students of the Children's Art School"
Compiled by:
teacher of Children's Art School No. 4
in the class of choral disciplines
Pakhom*ova Natalia Vasilievna
annotation
This development is devoted to the problem of selecting a vocal repertoire
for students of the Children's Art School. The pedagogical conditions for the selection and
mastering the repertoire in the vocal class of the children's art school, as well as
personal teaching experience.
INTRODUCTION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
Selection
vocal
repertoire
pupils
problem
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
classroom children's art schools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
Experience in the selection of a vocal repertoire in a nursery
art schools. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
CONCLUSION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
BIBLIOGRAPHY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
APPLICATION . . . . . . . . . . . . .
Introduction
One of the negative trends of our time is significant
s n and e
in cultural
space
highly artistic
vocal music. The dominance of low-standard products of mass culture and
need
enhancements
quality
consumed
spiritual
cause an increase in interest in the problems of musical and aesthetic
personality development.
Questions
musical and aesthetic
education
growing up
generations are devoted to the statements of masters of art of different times and
peoples. In "Rules of Life for Musicians" R. Schumann wrote: "On
sweets, cookies and candies from a child can never grow healthy
person. Spiritual food, like bodily food, should be simple and
healthy. The great masters have taken sufficient care of such food; her and
stick with it. "
From the point of view of D.B. Kabalevsky, it is in music with the greatest
exhibits
"humanity"
arts:
embodies
a person, his thoughts and feelings, his perception of life. In the origins of music, in
human
speaking,
human movement ... ".
Vocal music is the earliest art form. Already on
the dawn of human civilization, people used a voice for sound
signals and communication with each other. The forms of vocal music became more complex by
with the development of human society.
Having become an independent art, music developed in close connection
with a speech, with a word. On the basis of the synthesis of music and words, many
vocal genres of music: intended for solo, ensemble or
choral
execution,
escorts
accompaniment.
Literary
vocal
sounding,
enriches it with meanings, shades of color, feelings.
Vocal education is not an end in itself, but a unique way of involvement
personality
values
domestic
musical
culture.
The most important factor in the musical and aesthetic development of a child is
vocal
repertoire.
vocal
repertoire
the most important
significance not only for professional vocal education, but also for
full-fledged general musical and aesthetic development of the personality.
The study
the established
practices
vocal
preparation
pupils
shows
vocal teachers
the main
Attention
development
vocal-technical
singing
students.
pedagogical
potential
vocal
repertoire
performing
and cultural and educational
activities
implemented
not enough.
exists
contradictions
huge
artistic and pedagogical
potential
vocal
insufficient
implementation
potential
process
musical
aesthetic
education
youth,
need
musical and aesthetic development of pupils of the Children's School of Arts on top samples
world vocal culture and insufficient development of theory and
methods of selecting a vocal repertoire in relation to children's school
arts.
The solution to this problem is goal research.
Selection of vocal repertoire for students of the Children's School of Arts as a problem
music education pedagogy
Repertoire
"list") -
a set of works that are performed at a concert, competition or
unlearned in the course of classes.
repertoire
learning
is an
the most important part of a teacher's work with a student in a vocal lesson.
Problem
vocal
education
subject
research by physiologists, psychologists, acoustics, phoniatrists,
musicians. Various approaches to this problem are highlighted in the scientific and
musical and pedagogical literature.
There are several stages in the development of a child's voice, although
there are differences in views on this issue among various authors:
0–2 years - early childhood;
2–6 years old - preschool age;
6-10 years old - primary school age;
10–12 years old - middle school age;
12 - 16 years old - senior school (pubertal) age.
age
characterized by shifts
respect
conditioned by
mental
the physical condition of his body, which, of course, affects his
but also from a medical point of view.
and goes through several stages of its development:
1) 5–6, 9–10 years - junior home age;
2) 9–10, 12–13 years - senior home age, flourishing of voice;
3) 12-13, 15-16 - the period of mutation, in which the child's voice acquires
postmutation.
shape
artistic
culture
students,
aimed at expanding the repertoire from the first year of study.
Choosing the right repertoire contributes to successful performance
vocal performer. The repertoire must be artistically valuable,
appropriate
creative
direction
performer,
interesting
diverse, pedagogically useful, promoting
artistic growth of the singer.
vocal
performance
stand out
the following
varieties
repertoire:
examination,
concert,
competitive.
repertoire:
exercises
vocalises,
artistic
works,
executable
mastering
pupil
any
professional
qualities:
breath,
sound science,
sound production, etc.).
Concert repertoire - works for performance at concerts.
most
to uncover
professional
singer, which he mastered in the educational process. For a concert piece
should fit in style, theme, etc.
Repertoire
exam
competitive
works,
executable
exam
competition.
works
show the qualities of the student, acquired by him in the process of teaching vocal.
problem
repertoire
teachers,
art critics,
musicians,
performers
Varlamov
“... it is important to give young students to sing only such pieces of music,
subject
dangers
lose
abilities
singing. "
Egorycheva in
the book "Exercises for the development of vocal
technology "
wrote: “Correct
awareness
works
Separation
isolated moments are rather arbitrary, since any exercise
fulfillment
vocal-technical
musical
artistic tasks ".
N. Polyakova in the article "Children's vocal repertoire: the formation
personality
musician
enumerates
the main
components of the children's vocal repertoire: “classic miniatures,
folk and modern songs of a melodious character, in style close to
classical music, and vocalizations ”. At the same time, the author notes that “all this
the material must be classified according to the degree of vocal and technical
difficulties
Repertoire
correspond
repertoire
naturally
got
reflection
exemplary
programs
additional
pre-professional
education,
approved
The ministry
culture
famous
reasons
the website does not provide sample programs for educational
subject "Vocal", for which vocal teachers could
refer.
teachers
arts
are oriented
requirements
vocal-choral
preparing
academic subject
pursue a common goal and solve common tasks of spiritual and moral
development of students, artistic and aesthetic education and general
culture of schoolchildren. Sample program approved by the Ministry
on "Chorus" pays special attention to the problem of repertoire.
Basic principles of repertoire selection:
1. The artistic value of the work.
2. The need to expand the musical and artistic horizons
3. Solving educational problems.
4. Classical music at the core (Russian and foreign in combination with
works
modern
composers
folk
different genres).
5. Creation of an artistic image of a work, identification of ideological
emotional meaning.
6. Availability: a) by content; b) by voice capabilities; v)
for technical skills.
7. Variety: a) by style; b) by content;
c) pace, nuance; d) in complexity.
Pedagogical conditions for the selection and development of the vocal repertoire
classroom children's art school
arts
directly
fulfills
art education and musical and aesthetic development of children and
adolescents.
last thing
pursuit
musical
education in the younger generation has significantly weakened, the problem
musical and aesthetic development is especially relevant.
Procedural
consonant
development
personality,
occupying
dominant
position
modern
pedagogy. So, to the basic methodological principles of artistic
education include "early learning, continuity
and the continuity of different levels of art education ”. The idea of personality development is realized in successive ties of all types
and types of educational institutions (kindergartens, general education
institutions
middle
professional,
postgraduate
professional
education,
institutions
additional education, including children's art schools) and
institutions of culture and art.
musical and aesthetic
development
carried out
the formation of the child's musical and aesthetic culture.
Correct and expressive singing is an indicator of development
musical culture of the individual. Although singing is a natural factor, it is not
less, for a number of reasons, children have recently been singing less and worse.
The task of the class teacher is not only to develop the voice of children, but also to teach
students constantly listen to themselves while singing, analyze it all the time with
precision
attitude
extent, shading, sound strength, etc. At the same time, we must not forget about
the artistic side of the performance. Thus, the development of vocal
skills - the most difficult task facing the teacher-musician.
Singing fulfills a number of functions in the context of music education and
education:
learning
performing
works
vocal
repertoire,
there is an acquaintance with diverse compositions;
Getting an idea of musical genres, methods of development;
Study of the connection between music and words in vocal works;
Mastering some of the features of folklore and musical language
works by professional composers.
expands
horizon
students,
forms
positive
children's attitude to the art of music, stimulates the development of interest
to music and to musical pursuits. Singing solves the problem of developing hearing and
students,
forms
definite
singing
skills necessary for expressive, emotional and meaningful
execution. Being one of the most affordable types of performing
activities
develops
general educational
the necessary
successful
learning
emotional response to various phenomena of life, analytical skills
positive
relationship
surrounding
comprehension
the emotional and moral meaning of each piece of music,
through the formation of a personal assessment of the music performed.
At the children's art school, where students combine singing with learning
playing musical instruments, it is vocal lessons that serve as one
factors
development
musicality
help
development
intonation
necessary
mastering
performing
art
musical
instrument,
contribute to the formation of music-making skills.
The success of vocal work largely depends on various reasons.
One of them is the initial level of the general musical culture of children,
influencing the development of psychophysical processes such as perception
music, memory, communication skills, emotional reactions. Other
primary vocal skills before entering art school.
process
vocal
resolved
complex
vocal development of children, the most significant of which is the singing installation,
work on breathing, work on articulation, work on sound, work
over the work.
Articulation, an essential part of vocal work, is closely related to
breathing, sound production, intonation, etc. With the help of a good
articulation while singing the text reaches the listener. Articulating
the apparatus for children and especially young children needs development. Here
everything is important, everything affects the quality of performance: the ability to open your mouth when
right
arrange
get free
tightness
tension of the lower jaw, freely place the tongue in the mouth. While singing
it is also important to chant vowels, rounding them; strive for sound purity
unstressed vowels; pronounce consonants quickly and clearly.
junior
age,
we care about the quality of sonority and intonation. We make sure that children open
mouth, do not sing through teeth or with a nasal sound. In this case, the role of
showing the teacher.
Young children should not be asked for great sounding power,
insignificant
overload
lead
disease
singing
remember that you cannot shout, speak loudly, and during ailments
you can't even sing.
repertoire,
correspond
opportunities
singer. It is desirable that the cantilla predominate in the vocal repertoire.
Vocal
exercises
chanting
settings,
overcoming
technical
difficulties.
exercises
to organically enter the lesson.
Work on the work. The content of a vocal work and its
character is analyzed together with the child, which contributes to education
hearing and hearing music.
listening attentively
verbal
"Hints" (without a literary basis) in his imagination could create
musical
Gradually
gets used to
at the same time, to determine the means of expression, the form of the work.
Everything will be understood by children if you pay attention to it from the very beginning.
A child cannot sing indifferently. If he understood the song well,
presented
art
execution
emotional and persuasive. Work on the work is carried out
in parallel with work on individual skills and abilities. the main objective
teacher
reach
execution
you just
naturalness,
to teach the child to “see” what is being performed, to sing softly, to exclude loudness.
learning
pupils
get hold of
vocal
skills,
master
vocal
repertoire
various
concentrate
Attention
quality
sound,
acquire
competitive and concert performances.
most
relevant
significant
practice
musical
education
is an
problem
the formation
children vocal and intonation skills. Despite the fact that from success
organization of vocal and intonation work with children largely depends on
the quality of the musical educational process, this area belongs to
least developed in the theory and methodology of general and additional
education.
musical
education, first of all, requires the development of the creativity of students,
development
capabilities
playing music,
the formation
broad
musical outlook, aesthetic attitude to life.
By defining the problem, you can identify the main ways to solve it - these are
development of uniform, scientifically based, targeted and effective
teaching.
Educators
absence
substantially
hinder
children's
music and art education.
Lack of stable curricula and educational programs
much
complicates
functioning
arts:
prevents the formation of educational requirements, the development of modern
learning
propaganda
teachers,
preparing
the respective
pedagogical
creating
experience. The School of Arts develops with enthusiasm and initiative
heads of local cultural and educational bodies and workers themselves
institutions,
trying
on one's own
to develop
to formulate
normative
the documents.
brewed in its own juice, including our DSHI No. 4 of the city of Kursk.
At the same time, our school of arts has two programs for
subject "Vocal" for choral and instrumental departments (Appendices
programs
we served
o p y t n o -
experimental work.
Essential
research
definition
principles
vocal
repertoire.
The study
psychological and pedagogical
methodical
literature,
generalization
advanced
pedagogical
allowed to identify a number of leading principles.
The principle of combining technical and artistic in teaching.
means
repertoire
directed
harmonious development of artistic and technical qualities at the same time.
The repertoire should combine a narrowly focused set of exercises,
chant
artistic
works.
principle
decide
simultaneous
development
vocal
expressiveness.
Before starting work with a student, you need to conduct a pedagogical
diagnostics,
define
technical
artistic
development.
Having determined
development
work,
are selected
the corresponding
exercises
Seriously
treat
repertoire, since it is necessary to find exactly that limited number
works,
capable of
advance
directions. A well-chosen piece must be accessible
student both artistically and technically. And for this
teacher
necessary
have
sufficient
musical
material in their field of activity.
L.B.Dmitriev
emphasized:
exercise,
vocalizations
artistic and pedagogical
material
is an
compulsory
teacher.
correct
get hold of
repertoire.
knowing the pedagogical repertoire and knowing how to use it, has in
his hands are a powerful tool for the development of a singer. Unfortunately, in classrooms it is often
have to
observe
limitation
musical
material,
standardization
exercise,
vocalizations,
artistic
a repertoire that can be used for pedagogical purposes. It is strong
reduces the effectiveness of training. "
Principle
individual
approach.
pupil
the teacher must certainly take into account the individual
properties of each student, characteristics of temperament, character. Often
it so happens that a certain student is more suitable lyric
songs, and the teacher, without noticing this, gives funny, incendiary
songs, and vice versa. In these cases, the student will not reveal himself in the song, or she
he simply will not be interested.
The selection of the repertoire should also take place within the framework of the decision
educational tasks.
The principles of repertoire selection are the basis of the educational and creative process in
teaching vocals to schoolchildren. Its sequential development from simple to
complicated,
principles
didactics
training and education of students of vocal. Multi-genre vocal
repertoire
big
quantity
works
composers contribute to the accumulation of performing experience by students
and knowledge.
The question of choosing a repertoire is the main one in the work of the performer. From
skillful selection of the repertoire depends on the growth and development prospects of the singer. V
first of all, you need to remember about the tasks assigned to the beginner
chosen
work
directed
development
practicing certain vocal skills.
Didactic
principle
gradual
consistent
development.
Phased
complication
repertoire
positively
correct
apparatus
musicality.
repertoire curriculum lists and teaching aids based
on this principle.
Repertuar
should
to be highly artistic,
wear
educational
and developing
character, correspond
age
r e b y n k a
his understanding,
correspond performing
opportunities children to be diverse in nature and content, a
it is also necessary to complicate the repertoire as necessary in order to
acquisition of certain skills.
In order to choose the correct repertoire for students, it is necessary
first of all:
age
features
development
- select a repertoire based on the needs and abilities of everyone
guided by
requirements
repertoire,
compiled in the DSHI.
Experience in the selection of vocal repertoire in conditions
children's art school
identifying
musical,
particular
vocal,
knowledge of students, a study was carried out on the basis of the Children's School of Arts No. 4 of the city
Kursk. Pupils were offered a questionnaire containing ten questions on
vocal and literary topics. The age of the respondents is 8-16 years old.
The children were offered a questionnaire containing the following questions:
3. What vocal works do you like?
4. What pieces did you want to perform?
5. What works do you have in your vocal repertoire?
6. What vocal performers do you know, what do you like more about them?
repertoire?
9. What poets do you know?
10. On whose poems are the following works written?
1) Muses. S. Prokofiev "Chatterbox";
2) Muses. P. Tchaikovsky "Autumn";
3) Muses. G. Sviridov "Winter Evening";
4) Muses. A. Varlamov "A lonely sail is gleaming white";
5) Muses. E. Krylatova "Winged Swing".
The results of the survey are presented in Appendix No. 5.
in order to talk and express your thoughts. " Quite understandable and
competent answer to the question.
To the question "Why does a person need a vocal voice?" the children answered,
and human experiences.
To the question "What vocal works do you like?" every child
answered in his own way. Some wrote about the nature of the works, others indicated
vocal
repertoire
arts,
some
pupils like English songs, and some also like Russian classics. Those.
student responses vary widely and depend on personal preference.
To the question "What works did you want to perform?" the answers sounded:
modern pop songs, English songs, as well as, in general, the most
famous all over the world.
When asked about the content of their vocal repertoire, the children listed in
mostly works that have been performed in vocal lesson for the last year-
two. This suggests that, perhaps, students do not remember the works.
previously executed by them.
When asked what vocal performers you know, and what
I like the works, only one student wrote about Luciano Pavarotti,
the rest of the students wrote only about contemporary pop singers. Judging by
answers, you can draw a certain conclusion.
qualities
vocal
following:
Celebrate
quality
range,
melodiousness,
meaning
Similar
pupils
holistic
ideas about what qualities a singing voice should have.
Answering the question, “What qualities of a vocal voice would like
develop at home? "
intonation, good and correct breathing, wide range, smooth
sound science.
2015 is the year of literature in Russia, in this regard, it was relevant
ask the children what poets they know. The most popular were
A.S. Pushkin and M. Yu. Lermontov, as well as S.A. Yesenin and V.V. Mayakovsky.
presented
titles
famous
vocal
works
definition
works. When doing this, like other previous assignments,
faced
certain
difficulties.
convinces
the need
improving
process
musical and aesthetic
development of students of the Children's Art School, including in vocal lessons.
problem
musical and aesthetic
development
students, the experience of the teacher in the class of choral disciplines was studied
Lepeskina
Nikolaevna.
teacher - 36 years old.
T.N. Lepeskina shared not only teaching materials, but also
information about the peculiarities of the musical development of children involved in
her class. Among them are Avetisyan Arevik and Bespalova Alina.
Arevik Avetisyan - 8 years old, 2nd class of Children's Art School, choir department.
arts
average
musical
vocal data. By nature, the student has good data regarding
hearing, rhythm, musicality. But they were very poorly developed, like that of
constrained
shy
had a small range.
The teacher, seeing the student's good musical data, became
Cook
performance
school
concerts,
it is possible to relieve the child of psychological constraints earlier.
In the first year of study at the Children's Art School with Arevik in the academic, competitive and
concert repertoire included the following works:
Vocalises
Tatarinova
"Carlson,
be friends";
M. "Final
op. "Fly
Tsokotukha ";
Spadavecchia A. "Good Beetle"; L.N.p. "The sun was rising"; R.n.p. "In the field
birch
occupations
offered
exercises
intonation skills.
Successful development of the repertoire and performances at school concerts
competition
"Crystal
nightingale"
participation),
All-Russian competition-festival "I give you wings" (I degree diploma).
In the second year of study, Arevik grew up in every sense. For half a year
managed to master the following repertoire:
Vocalises by F. Abt (1,2,); V. Rebikov "The Sparrow-Sparrow"; Gladkov G.
"Plasticine Crow"; R.n.p. "Zhuravel".
school
concert
preparing
take part in a New Year's musical fairy tale.
Participated
international
competition-festival
"Talents
borders "(I degree diploma), prepares for the city competition" Crystal
nightingale".
In the prospect of mastering the following works: F. Abt vocalise No. 7,
Beethoven
"Robin",
Arensky
forge ".
The following conclusion can be drawn. The obvious growth of the student is noticeable, by
repertoire
application
principle
assimilation
simple
complex, taking into account psychophysiological characteristics (for example, Arevik
fit
works).
perspectives
development teacher gives the student classical works, Russian
folk songs for unaccompanied performance. As a result, for such
small
learning
liberated, she began to sing louder, louder, the range of her voice increased.
Moreover, she became more confident in behaving not only in the classroom, but also
when entering the stage.
Bespalova Alina - 12 years old, 6th grade Children's Art School, choir department.
Like most children, Alina came to the art school as a young
a six-year-old child. Tatiana Nikolaevna began to study from the second
The teacher noticed that Alina differs from the rest of the children in that
understanding
refers
learn to sing and puts all his efforts into it.
All my years of vocal training were based on compulsory exercises.
to develop vocal skills.
formed
vocal
repertoire
learning. All works were given according to the principle from simple to complex,
Russian and foreign classics were always present in the repertoire,
songs of the peoples of the world, works of Soviet and contemporary composers,
various
vocalises
exercises. Principle
combinations
technical
artistic was also present at the selection of the repertoire, were taken into account
age and individual characteristics of the student.
List of repertoire for all years of study:
Tatarinova N. Vocalises (1-10); Abt F. Vocaliza (1-8); Krokhmal V.
Vocalise No. 1.5; Konkone D. Vocalise No. 1,2; Nikitina T. and S. “The Big Secret
for a small company "; V. Chernyshev “This Big World”; Pakhmutova A.
maternal
"Spring"; Glinka M. “Oh, it’s night, little night”; Mancini "Moon River";
Cui Ts. "Autumn"; V. Rebikov “Hello, guest - winter!”; Waltz from m / f
"Anastasia";
Khrennikov
"Lullaby
Svetlana ";
Aedonitsky
"Songs are born by themselves"; R. Schumann "Evening Star"; Mozart V. “Children
Rybnikov A. "Romance of the tortoise Tortilla"; Karasev P. "Mountain
tops "; P. Karasev "In the dark forest"; R.n.p. "Like under a hill"; R.n.p. "In
the birch stood in the field ”; A.N.p. "Rain rain, go away"; N.n.p. "Spring"; R.n.p. "Way down
along the mother, along the Volga "; R.n.p. "Thin rowan", etc.
During the five-year study with Tatyana Nikolaevna, Alina
has achieved tremendous results. Considered one of the few best
vocal students among children's art schools of the city. Participant of the children's
choir of Russia under the direction of V. Gergiev. In the summer of 2015 I went to
to the children's camp "Artek". At the end of December 2015 he will sing with
children's choir of Russia at a concert in the Kremlin. Takes an active part in
school
visiting
concerts.
Regularly
participates
quantity
urban,
international,
regional
vocal
contests:
"Crystal
nightingale",
"Autumn
Starfall "," Glory, Fatherland "," Tribute to Chopin "," Talents of the new
era "," I am an artist. "
achieved
are based
competently selected repertoire by teacher T.N. Lepeskina. Her experience
professional
quality,
specifically
musically and aesthetically, but not without their own efforts.
Modern
teachers
are experiencing
certain
difficulties in providing pedagogical literature as a methodological
the fact that textbooks created in previous decades have become dilapidated and in many ways
morally
are outdated.
Teachers
Internet resources,
however, even there it is not always easy to find that vocal work that
necessary for solving specific technical and artistic problems.
arts
certain
requirements
training in vocal class. In the Children's School of Arts No. 4 in Kursk, programs have been developed for
subject
(Application
Programs
made up
teacher in the class of chorus and vocal Bredikhina T.V. The programs were
The first program is designed for children with a study period of 5 (6) years,
incoming
age
Given
exemplary
repertoire
foreign classics, Russian folk songs, songs of the peoples of the world, as well as
The second program is designed for children with a term of study of 7 (8) years,
applicants at the age of 6-9 years. An approximate repertoire is also given.
foreign
classic,
folk
works of contemporary composers.
Both programs have an item called "Selection of educational
repertoire ".
it is said: “Musical and singing
formed
slowly.
Characteristic
working out
dynamic
stereotype
possessions
is an
duration,
some time difference in the formation of various musical and singing
skills, although from the very first year of study there is a gradual formation
as each skill separately, and the relationship between them. "
In accordance with the curriculum of the Children's Art School No. 4, each student twice a
(academic
concert).
mandatory
repertoire
half a year
works
performance by students, namely:
I half of the year
II half of the year
1) Vocalise or exercise (for 1st grade students);
2) A piece with accompaniment;
3) A capella piece (unaccompanied).
For graduate students, the following requirements are:
I half of the year
Execution
works
put
(audition for the final exam).
II half of the year
Final exam. The graduate performs:
1) Vocalise
2) A piece with accompaniment;
3) A piece with accompaniment;
4) A capella piece (unaccompanied);
5) A capella piece (unaccompanied).
requirements
teacher
refer
choice of repertoire.
In the learning environment, improvements in singing are constantly observed.
development of each child, but significant changes in voice skills,
occur
about
planning
drawing up
repertoire
necessary
consider
minor
improving the mastery of vocal skills.
Majority
vocal
chanting
calculated
developed by
quality
vocalizations
Maybe
usage
textbooks
solfeggio.
learners
older age - performance of simple classical vocalizations for
Uncomplicated children's songs by modern composers are quite suitable
execution
artistic
repertoire.
vocal
opportunities and success of teaching senior children, possibly
performance of simple works of classical and pop vocal
repertoire.
Repertoire
works
learners
are presented in Appendices No. 3, No. 4.
Aesthetic development should be based on performance
about music as a single art in which there is opposition
not "light" and "serious" music, but artistic and anti-artistic
works. Therefore, in
repertoire I use: works of Russians and
foreign composers, composers - classics, folk songs, songs
Soviet and contemporary composers.
Artworks
artistically
expand the musical horizons of children, solve educational problems,
classic
(by Russians
foreign)
combine
works
modern
composers
various
folk
Necessary
create
art
works
elicit
availability
works
forget
diversity
difficulties,
nuance.
Formation
vocal performance
culture
directly
varied
repertoire
programs.
How much
interesting
available,
include
aesthetic development, so effective is the development process
vocal and performing culture of schoolchildren. The repertoire contains
the didactic basis of the educational and creative process. He can impersonate
interest, accessibility, visibility, systematicity and consistency,
means
learning
education,
a stimulating basis for the musical and creative development of future singers.
The measure of the correspondence of the repertoire to the interests and needs of the performers, its
multifaceted
potent
providing
organizational
socially
creative tasks. The repertoire contains a substantial core,
which can become a kind of beacon for children and lead them along the way to
self-improvement, self-realization, or, conversely, put a barrier,
submerge
disappointment.
overestimate
the importance of both the formation and development of the repertoire.
Repertoire analysis at the didactic level allows a deeper understanding of
its all-encompassing nature. Choice of Works for Specific Study
conditioned by
artistic and aesthetic
value
works,
didactic
expediency.
musical
work
entities.
The specific
musical
utterance
an organic synthesis of the normative and the individual. In this duality
lies the secret of the educational and educational value of the repertoire.
Thus, the musical repertoire as the basis of educational and creative
process
organizational
defines
principles,
directly
didactics
learning,
quality
studying
varied
educational
material,
musical
aesthetic development and education of students.
Conclusion
Vocal music is an integral part of the musical culture of different
process
development
emotional
responsiveness,
artistic and imaginative thinking and imagination in a child
arise
initial
being
interests,
needs,
preferences
holistic
orientations
personality,
constituents
personal culture.
process
research
verified
pedagogical conditions for the formation of a vocal repertoire in the context
musical and aesthetic development of students of the Children's School:
- the principle of consistency, implying the implementation of a comprehensive
study
intonational
musical
arts
education of intonational culture of students;
integrity,
directed
development
holistic
perception of musical works and components of the musical language;
- the principle of the priority of national musical culture, native
- the principle of reliance on health-saving technologies that combine
vocal and intonation work;
unity
emotional,
cognitive
creative
development of students.
Constant careful work on issues of vocal repertoire
disciplines
students.
Attentive
attitude
individual
peculiarities helps each student to gain a deeper knowledge of their personal
vocal opportunities, to acquire your own performing look.
results
experiment
allow
talk
the need
structuring
vocal
conformity
tasks
musical
education,
aesthetic
education
specificity
psychophysical development of children.
The carried out
allows
outline
some
promising
areas of theoretical and practical activity, essential for
improving
musical and aesthetic
development
pupils
Among them are the problems of continuity in the development of vocal and intonation
skills at various levels of education, as well as the education of artistry in
vocal students at the children's art school.
Bibliography
Varlamov A.E. Complete Singing School: A Study Guide. - 3rd ed., Rev. -
SPb .: Lan; PLANET OF MUSIC, 2008 .-- 120 p.
Vasina-Grossman
poetic
Rhythm. Part 2, 3. Intonation. Composition. - M .: Muzyka, 1972 .-- 378 p.
Dmitriev, L. Fundamentals of vocal techniques. - M .: Muzyka, 1968 .-- 675 p.
Shuman R. About music and musicians. Collection of articles. - M .: Music, 1979.
- T. II-B. - 295 p.
Egorycheva
Exercises
development
vocal
Musical Ukraine, 1980 .-- 112 p.
1997 .-- 192 p.
Kabalevsky D.B. Peers: Conversations about music for youth. - M .:
Music, 1980 .-- 120 p.
Osenneva M.S., Samarin V.A., Ukolova L.I. Method of working with children
vocal and choral collective. - M .: ACADEMA, 1999 .-- 223 p.
Polyakova
vocal
repertoire:
shaping
A sample program for the subject PO.01.UP.01. CHORUS //
Additional pre-professional general education program
in the field of musical art "choral singing" / Developer O.Yu.
CHAPTER
M inisterst in about
kul t u r s
mkrfministerstvo / departament / detail.php?
ID = 508082 & SECTION_ID = 19546
Appendix # 1
Appendix # 2
Appendix No. 3
Repertoire list of works by students for 2013/14
Ryazantsev
Yuliya 1
(repertoire
works,
1. N Tatarinova Vocalise No. 1;
2. N. Tatarinova Vocalise No. 2;
3. Arr. N. Nesterova "Geese";
4. Arr. P.I. Tchaikovsky's "Bird";
5.R.n.p. "Like under a hill";
6.R.n.p. "There was a birch in the field."
Mochkarovskaya Karina Grade 4 (repertoire list of works,
performed at an academic concert throughout the year)
1. N. Tatarinova Vocalise No. 10;
2. F. Abt Vocalise No. 1;
3. Muses. A. Alyabyeva, lyrics A. Pushkin "Winter Road";
4. Arr. R. Gunda, trans. A. Efremenkova "Cuckoo";
5.R.n.p. "Zhuravel";
6.R.n.p. Kalina.
Vasiliev
Andrey 7
Class
(repertoire
works,
performed at an academic concert throughout the year)
1. F. Abt Vocalise No. 1;
2. F. Abt Vocalise No. 2;
3. Muses. G. Gladkov, lyrics V. Lugovoy "Walking Song";
4. Muses. V. Reneva, lyrics A. Newcomer "White Path";
5.R.n.p. "In the smithy";
6.R.n.p. "Ah, the street, the street is wide."
Appendix No. 4
Repertoire list of works by students for 2014/15
Ivanova
Darya
(repertoire
works,
performed at an academic concert throughout the year)
1. N. Tatarinova Vocalise No. 2;
2. N. Tatarinova Vocalise No. 3;
3. Muses. V. Blaga, words. M. Wesely "Dance";
4. Muses. B. Savelyev, lyrics A. Hayta "We will survive this trouble";
5. Arr. P. Karasev "Mountain Peaks".
6. Arr. P. Karasev "The grass turns green".
Ivanova
Elizabeth 4
(repertoire
works,
performed at an academic concert throughout the year)
1. F. Abt Vocalise No. 5;
2. V. Krokhmal Vocalise No. 5;
3. Muses. A. Kudryashova, lyrics I. Yavorovskaya "By the River";
4. Muses. I. Franceskevich, lyrics I. Bunin "Northern Birch";
5. Arr. P. Karasev "Down, along the mother, along the Volga";
6.R.n.p. "Like a godfather to a godfather."
Samokhvalova Ksenia Grade 6 (repertoire list of works,
performed at an academic concert throughout the year)
1. I. Franceskevich Vocalise;
2. V. Krokhmal Vocalise No. 5;
3. Muses. P. Tchaikovsky, to lyrics A. Plescheeva "Autumn";
4. Muses. I. Franceskevich, lyrics S. Yesenin "Bird cherry";
5.R.n.p. "Thin rowan";
6.R.n.p. "In the dark forest".
Appendix No. 5
Students' answers to the questionnaire
Talysheva Daria
8 years old, grade 3
To express your thoughts.
Kravchenko Evgeniya
12 years old, grade 6
To express your emotions.
Sidorova
Angelina
15 years old, grade 6
To man
people to express their thoughts and emotions, which
we want to convey.
Panova Evelina
11 years old, grade 4
To communicate with other people.
Olga Korobkova
16 years old, grade 7
To express your thoughts.
Miroshnichenko
your thoughts, ideas, feelings ...
Nozdracheva
Victoria
10 years old, grade 4
To talk.
Butova Sophia
7 years old, 2nd grade
To talk and sing.
Mochkarovskaya
12 years old, grade 6
To talk to people.
Sidorov Daniel
To speak.
10 years old, grade 4
Question: "Why does a person need a vocal voice?"
Talysheva Daria
8 years old, grade 3
To sing cleanly.
Kravchenko Evgeniya
12 years old, grade 6
To perform beautiful pieces. For
Sidorova
Angelina
Most
like
vocal works.
Panova Evelina
11 years old, grade 4
Olga Korobkova
16 years old, grade 7
Vocal
transfers
experiences,
suffering or joy, when singing, as well as completely
reveals the character and soul of a person.
Miroshnichenko
feelings through songs.
Nozdracheva
Victoria
10 years old, grade 4
To sing.
Butova Sophia
7 years old, 2nd grade
To sing.
Mochkarovskaya
12 years old, grade 6
To sing.
Sidorov Daniel
10 years old, grade 4
To sing.
Question: "What vocal works do you like?"
Talysheva Daria
8 years old, grade 3
I love the piece "Baa, Baa, Black Sheep".
Kravchenko Evgeniya
12 years old, grade 6
Sidorova
Angelina
15 years old, grade 6
like
works
Gl and n to and,
Shostakovich, Rodion Shchedrin and Mikhail Yakovlev.
Panova Evelina
11 years old, grade 4
Elina Chaga "Boogie-woogie", Brilliant "Muscovites".
Olga Korobkova
16 years old, grade 7
Romances by various composers.
Miroshnichenko
12 years old, grade 5
in my own way
beautiful ...
Nozdracheva
Victoria
10 years old, grade 4
"Winged swing", "Beautiful is far away."
Butova Sophia
7 years old, 2nd grade
Fast, funny.
Mochkarovskaya
12 years old, grade 6
Works by contemporary singers.
Sidorov Daniel
10 years old, grade 4
Adele "Skyfall", from Titanic.
Question: "What works would you like to perform?"
Talysheva Daria
8 years old, grade 3
I would like to perform the piece "The Revived Doll".
Kravchenko Evgeniya
12 years old, grade 6
Famous works all over the world.
Sidorova
Angelina
15 years old, grade 6
I would like to perform a romance to the verses of Pushkin "Winter
Panova Evelina
11 years old, grade 4
Julia Parshuta "The Month of May".
Olga Korobkova
16 years old, grade 7
Celine Dion "My heart will go on".
Miroshnichenko
12 years old, grade 5
Solo. Loya roses are dark scarlet well .. I don’t even know what else ..
Nozdracheva
Victoria
10 years old, grade 4
yes
On the old film.
Butova Sophia
7 years old, 2nd grade
Various English.
Mochkarovskaya
12 years old, grade 6
I didn't think about it.
Sidorov Daniel
10 years old, grade 4
Adele "Skyfall", from Titanic.
Question: "What works do you have in your vocal repertoire?"
Talysheva Daria
8 years old, grade 3
repertoire
Vocalise 2, "A dream is a wish you heard makes".
Kravchenko Evgeniya
12 years old, grade 6
Music by M. Glinka, words by S. Gorodetsky "Glory";
Music by I. Dunaevsky, words by M. Matusovsky “Fly,
Music by G. Sviridov, words by B. Pasternak "Soul";
Pakhmutova,
Dobronravova
dates, Moscow ";
Mendelssohn,
Nekrasov
"Autumn
Moose. C. Cui, words by F. Tyutchev "Spring";
Ptichkin,
Plyatskovsky
the freckles are smiling. "
Sidorova
Angelina
15 years old, grade 6
repertoire
works.
For example:
"Song
"Bird cherry,
"Boat," Music, "Glory," Lullaby and others.
Panova Evelina
11 years old, grade 4
E. PARANINA
"P and r at s k and y
child
The giant - "Shabu-dabu".
Olga Korobkova
16 years old, grade 7
blue ",
Varlamov
"Red
sundress ",
Aedonitsky
born
Seidler Vocalise No. 10, C. Cui "Autumn".
Miroshnichenko
Kosmachev "Song about an Elk", Konkone Vocalise No. 7.
12 years old, grade 5
Nozdracheva
Victoria
10 years old, grade 4
"The beautiful is far away."
Butova Sophia
7 years old, 2nd grade
"Winter in the forest", "Why does the bear sleep in winter."
Mochkarovskaya
12 years old, grade 6
A. Alyabyev "Winter Road", "Zhuravel", "Cuckoo" and
Sidorov Daniel
10 years old, grade 4
"Mana-mana", vocalise No. 4, "Oh, winter is winter", etc.
Question: “What vocal performers do you know?
like in their repertoire? "
Talysheva Daria
8 years old, grade 3
Selena Gomez "Love you like a love song".
Kravchenko Evgeniya
12 years old, grade 6
Vorobiev
"Crazy, Irakli" I love you very much ",
Nargiz "You are my tenderness", etc.
Sidorova
Angelina
15 years old, grade 6
Luciano Pavarotti. His tenor is able to win the heart
callous
person.
to execute
compositions
performed usual hits, and also loved to sing chanson.
Panova Evelina
11 years old, grade 4
Sisters Tolmachev "Shine", Yulianna Karaulova "Stars in
are burning in the sky. "
Olga Korobkova
16 years old, grade 7
Natasha James Marsh (like all works), Dina
Garipov "What if".
Miroshnichenko
12 years old, grade 5
Hmm ... I don't even know ..
Nozdracheva
Victoria
10 years old, grade 4
Butova Sophia
7 years old, 2nd grade
I don’t know what their names are.
Mochkarovskaya
12 years old, grade 6
I know many, it is long to enumerate.
Sidorov Daniel
10 years old, grade 4
Adele, Basta, all songs.
Question: "What qualities of a vocal voice do you know about?"
Talysheva Daria
8 years old, grade 3
Clean, sonorous, clear, loud.
Kravchenko Evgeniya
12 years old, grade 6
Timbre, melody, sonority.
Sidorova
Angelina
15 years old, grade 6
Timbre, breathing, sound science and others.
Panova Evelina
11 years old, grade 4
Olga Korobkova
16 years old, grade 7
Smoothness, lyricism, sensuality, clarity ...
Miroshnichenko
12 years old, grade 5
I do not even know.
Nozdracheva
Victoria
10 years old, grade 4
Breathing, intonation.
Butova Sophia
Mochkarovskaya
12 years old, grade 6
Sidorov Daniel
10 years old, grade 4
Timbre, pitch, volume.
Talysheva Daria
8 years old, grade 3
Clean, sonorous, clear.
Kravchenko Evgeniya
12 years old, grade 6
Voicedness.
Sidorova
Angelina
15 years old, grade 6
I would like to develop my vocal qualities, such as:
breathing, range development.
Panova Evelina
Olga Korobkova
16 years old, grade 7
Lyricism and fluency.
Miroshnichenko
12 years old, grade 5
Rarely take breath and take high pitches.
Nozdracheva
Victoria
10 years old, grade 4
Sing clean sounds.
Butova Sophia
7 years old, 2nd grade
Develop the qualities to sing well.
Mochkarovskaya
12 years old, grade 6
Sing loudly, not in the nose.
Sidorov Daniel
Question: "What poets do you know?"
Talysheva Daria
8 years old, grade 3
A.S. Pushkin, S.A. Yesenin.
Kravchenko Evgeniya
12 years old, grade 6
Pushkin, Tyutchev, Lermontov, Akhmatova, Balmont, Barto,
Blok, Bunin, Yesenin, Marshak, Mayakovsky, Nekrasov, Fet,
Sidorova
Angelina
15 years old, grade 6
Alexander
Sergeevich,
Mayakovsky, Ivan Bunin, Nikolay Zabolotsky, Marina
Tsvetaeva, Sasha Cherny, Konstantin Erberg, etc.
Panova Evelina
11 years old, grade 4
Pushkin, Lermontov, Tolstoy, Yesenin, Tyutchev, Nekrasov.
Olga Korobkova
16 years old, grade 7
S. Yesenin, P. Sinyavsky, A. Pushkin.
Miroshnichenko
12 years old, grade 5
Lermontov,
Akhmatova,
Mayakovsky,
Nozdracheva
Victoria
10 years old, grade 4
Pushkin, Lermontov.
Butova Sophia
7 years old, 2nd grade
Pushkin A.S.
Mochkarovskaya
12 years old, grade 6
Pushkin, Lermontov, Blok, Yesenin.
Sidorov Daniel
10 years old, grade 4
Pushkin, Lermontov.
Question: "Whose poems are the following works written on?":
1. Muses. S. Prokofiev "Chatterbox";
2. Muses. P. Tchaikovsky "Autumn";
3. Muses. G. Sviridov "Winter Evening";
4. Muses. A. Varlamov "A lonely sail is gleaming white";
5. Muses. E. Krylatova "Winged Swing".
Talysheva Daria
8 years old, grade 3
1. K. Chukovsky
2. F. Tyutchev
3. A. Pushkin
4. M. Lermontov
5. don't know
Kravchenko Evgeniya
12 years old, grade 6
1.A. Barto
2. A. Pleshcheev
3. A. Pushkin
4. M. Lermontov
5. Yu. Entin
Sidorova
Angelina
15 years old, grade 6
1.A. Barto
2. A. Pleshcheev
3. A. Pushkin
4. M. Lermontov
5. don't know
Panova Evelina
11 years old, grade 4
1. don't know
2. Pleshcheev
4. Lermontov
5. Entin (not sure)
Olga Korobkova
16 years old, grade 7
1.A. Barto
2. A. Pleshcheev
3. A. Pushkin
4. M. Lermontov
5. Yu. Entin
Miroshnichenko
12 years old, grade 5
1. don't know
4. Lermontov
5 don't remember.
Nozdracheva
Victoria
10 years old, grade 4
Butova Sophia
7 years old, 2nd grade
Mochkarovskaya
12 years old, grade 6
1. K. Chukovsky
2. F. Tyutchev
3. A. Pushkin
4. M. Lermontov
5.do not remember
Sidorov Daniel
10 years old, grade 4
1. don't know
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